In the comedy of Los Angeles, “Gadon People”, the great natural nature and huge absurdity sits on the shoulder to the shoulder. However, although this tension may be, the modernity of the color mobilization of the color film is worn at the end, thanks to the story of the identity identities without any real goal in mind.
The film, from the directors of Pasqual Gutierrez and Ben Mullinkosson, begins in a state of excitement and mysterious, with a number of unknown Latin actors who test a very unconventional role: the role of the director who plays them, Pasqual (played by the coach of the film, Gutierrez). There are glimpses of potential appointments, who come in different shapes, sizes and different levels of skill; One of them, bodybuilding and social media, celebrities, Miguel (Miguel Heareta), appears with the appropriate amount of boasting, and the ideal forced courage and the physical similarity of the BCOLAOL (reinforced through both medium shiny shades). When he was asked his philosophy about guidance, Miguel cleans the question, in response to a mirror with “I just have to be you.” It raises a smile from Pasqual, although you will be forgiven to calm his support as “I just have to hit you” – a omen is one of the next things.
The reasons for the exotic work interview were revealed in the flashback, where Pasqual and his Raul (Raul Sanchez) to lead the following music video led the Rap Drake star, timed as a huge step for the duo. The film was remarkably filmed months before Drake’s prominent (clearly unacceptable) with Kindrik Lamar, but the rapper has become a public line since it made the whole hypothesis more entertaining. However, there are wrinkles for Pascawal’s career plan. His pregnant wife, Christine (played by the true wife of Guterres, Kristen Yuan, who was expecting production time) will give birth on the day of the shooting, and prevented him from being in his place. In order to get and eat his cake, Pasqual makes unpredictable tricks, galaxy: excessive Miguel employment to stand for him during the shooting, although Raul hesitates.
Gutierrez and Mullinkosson shall display the official control during these metaphors-a tremendous achievement, given how everything feels improvisation (for the better or worse). Among their long factors, which are strongly observed, and come from their proximity that excites the eye in sudden ways, “serious people” prove that they walked even before Miguel enters the battle. When he does-in practice it has become Pasqual during the meetings and the scouts of the sites-the coach of the technical training (often yarn) that states of the weakness of this plan.
Along the way, Pasqual expresses his concern about the imminent paternity, including his fears of the divided consciousness before and after his birth: the inability to remember who was before having a child. The presence of Miguel comes out of these uncertainties, but this does not mean that “serious people” are rudely met (although suggestions that are similar to Dennis Felinov’s excitement from the “enemy”). However, through the gesture towards this issue of duplication, the film determines the expectations of what Miguel might represent for Pasqual in the long term. While Miguel is slowly deviating from bars during his guideline trip – obtaining the nerves of Raul in this process – he inhales the alternative creative ego idea in spacious strokes. This leads to a number of oral funny stocks with people who have the ability to make or break the PASQUAL profession. Little by little, these complications are rising, even … well, so that nothing in particular.
There is a horrific surprise (and the vacuum) that “serious people” conclude its central plot. It is a movie that has an interesting ideas, but it failed to put it in the entire fire, expressing, through comedy, only the most patriarchal and creative anxiety before you call it one day. For a personal film clearly-a film that filters real life through the strange imagination of imagination, and was born from free flow talks between real friends-ends without a satisfactory or personal goal, although it is many fun settings. Ironically, the only real bonus is the surreal size of the DRIC management (to a similar look), which ends largely until it is ridiculous and fun thanks to the events completely outside the scope of the movie.