When a movie starting from Mary Shellley begins, it is tempting to predict exactly the location of the story. “Lover Dead” is definitely characterized by the resurrection of a dead creature, however, the author and director Grace Glowiki raises the audience’s surprise and gives more than they expected. The characters that create it and the positions you put in it are strangely funny. The visual creativity in fashion, artistic trend and makeup “Habib” proves a unique and strange vision. A show in the midnight section of Sundance before playing the role of Rotterdam and other festivals, the unique movie must get a small but excited audience.
The strange story of Glowkki begins with the introduction of her main personality, which the director herself is playing: Nettin’s disgusting love. She was so long around the bodies that she swings from her smell, and therefore she cannot find anyone who wants to be her companion. After that, at the funeral of graves, she finally meets its match (Ben Petri), a aristocratic group that overlooks him with the loss of his sister (Lea Douz). He can not only adhere to its smell, but rather it begins. A long time ago, they become lovers who pledge eternal dedication, but then they are drowned, with only hand over the severed finger to Gravedigger as a final memorial. Using the recipe for an old dose, it revolves around reviving her lover from the only remaining effects.
This is where the story takes another deviation. The finger fixes insufficient, leaving the cemetery alone and not satisfied. She needs a corpse, so she decided to use the body of her boyfriend’s sister, which leads to not to catch the sorrow of the sorrow of sadness (Loine Moro) in this process.
On the margins of the story, there is a group of gossip women gather to Titriko and work as a Greek comedy. While they chase each other, they chase each other, they face some other strange characters: two gay monks in lust in the woods, the sailors of Lovlorn and a complete city of Arajo followers. There is such a privacy in formulating all these simple characters that are vibrant even if the screen time is minimal.
“The Lover of the Dead” reveals its inventions. It was completely photographed on the sound space, as it uses practical effects and visual illusion to create its grilled world. There is ingenuity in all creative aspects, from makeup to production design to sound and lighting. It is clear that everything is artificial, but it is suitable for the world that is built by Glowicki. Complete with Droll’s textual leprosy, “Dead Loveer”.
There are only four representatives in the group, each playing multiple characters. By asking actors to play male and female characters, the film enjoys fun in sexual and sexual standards. The desire is above all over the minds of these characters. Everyone wants to sleep with someone, even if they have to re -create it from a cut finger. There is sex and murder, in addition to a lot of laughter, most of them are strange for the world that movie makers made here.
Glowicki makes an amazing vision with its long frame and similar face, using its intelligence and flexible facial expressions to create an unforgettable character. Its matching is Petri, which emphasizes the fun above the accurate description of many ridiculous offers, which is the balance called by the “beloved of the dead”. Meanwhile, with his lusts brood, Moro is brilliantly sent the preliminary model of SELLEY Heartthro.
Only in the last extension, the “deceased lover” loses his momentum, to become frequent. Until then, it is fixed and funny, and Glowicki appears as a unique talent. The film must find an audience with horror comedy fans, who should give the word “oral and unusual movie”.