A love message to people and places in New York City, “Love, Brooklyn” is also a display of the talents of the three attractive actors. In this entrance to the American Sun Drama Competition, Andre Holland, Nicole Beharie and Dewanda Wise are played by creative New York residents in the complex love triangle. Film makers are weaved for the first time, director of Rachel Abigil and screenwriter Paul Zimmerman from a low -level Romantic Odyssey who possesses intimate heat while he was a personal study loving the beloved neighborhood, which is always developing.
Casey (Beharie) and Roger (Holland) used to be an element but now just friends. Or are they? They seem to have a flame for each other and morte the time they spend together. At the same time, Roger takes an informal offer with the sad widow Nicole (WISE) is a curl when her young daughter’s ally begins to look at him as a father’s character. These characters are also defined as professionals who cannot live these lives anywhere other than Brooklyn. Roger is a journalist who has been written to write a long article on how this part of New York City has matured, especially for its black population, while Casey has an art gallery wandering in improvement.
Zimmerman text is concerned with both mutual relationships between personalities and macro to the economic and social changes that occur where they live. It is very observed about modern dating for 30 and 40 years: how to start and when the relationship ends, and how a person has a child. A pregnant woman with gentle sensitivity actors, seizes small metabolism of emotion because she is struggling with these issues.
Above all, the film recognizes what Brooklyn means to its people, which reflects a specific culture and the rhythm of life. Film makers understand the type of people who live there: how to speak, what they do and where they are doing. They even make fun of the differences between its inhabitants and those who fill the island of Manhattan’s sister and his cousin, the Western Magician, Los Angeles-Bassaki from cold and relaxation for a little success and ambition. Pepper on the framework with the visual dynamic work of local artists and soundtracks with songs from local musicians, adds to the credibility of this image.
“Love, Brooklyn” explains its best characters in some distinctive scenes that tell the story of one day in a city that many people associate for sure: when you plan with some of the people you love, then they end up to others. Try to avoid. When small crises occur and regret due to stupid words, she said at the wrong time. When alcohol shows the feelings and facts that should have been hidden. Feelings are harmed, relations are re -evaluated and ends today with both true revelation and extreme arguments.
The Netherlands has a clear chemistry with aher. The way Roger and Casey Judah with fun make it clear that there are feelings between them. The two actors are so comfortable around each other that the audience of the roots for this relationship flourishes, despite the scenario that shows that they are not suitable for each other. It is a great thing to see the Netherlands bending his romantic heart dependence leaves, something that he has not done since “moonlight” and must do more. As a mercury and trust, Bihari gets the first show for her amazing presence on the big screen since her last hunting, Miss Gonich for 2020. Wise is comfortable and responsible for playing or attractive care and lovers while hurting tenderness to Nicole’s internal disorders. The three are great and make the love triangle feel originally and attractive.
When the film focus on this trio, it rises. However, other characters, who are supposed to represent the diverse tissue in Brooklyn, do not come out well. Just Cassandra Friman, who plays the role of the Pusur Mosque, who has never stopped talking about herself, is able to nullify sarcastic laughter. In addition, the scenes of the crowd, whether outside in gardens and streets, or inside at parties are very unnatural. This may be a budget problem, but unfortunately, this makes a mistake to represent what is supposed to be a loud part of a large city.
“Love, Brooklyn” seems shy about what he should say about improvement and how it affects people who always live there. Despite many different conversations and opinions of characters, the film never lands on any specific answers. Although just asking the right questions, uncertainty affects the general impression that the Great Bian should have been in this place, its people and why it lasts.
There is no doubt that Holder and Zimmerman knew Brooklyn well and have a lot of affection for that. They are also lucky because they found these three actors who are able to evoke many feelings easily, and in this process it makes the romantic narration tangible. For these reasons, “Love, Brooklyn” deserves to see outside the mountains of Utah State.