A collection of films is not a place for young girls. In the world of Lucly Hadhalalovic in the dark world of Lucly Hadvic, the dark “Thesg”, and it allows her incubator home and resort to the basement of the film studio, and finds herself drawn on production -and star, Marion Kotallard – the way a child can be seduced in the story of Hans Christian Andersen in evil magic clutches. Optimizing, the text they call is the “Snow Queen”, whose aspects are frequent in many layers of the movie, along the way for us, which Hadžihalilovi ć hopes for the trap in its crystal publication.
Cotillard and HadžiHalilovi ć once before, early in their career, cooperated in “innocence” in 2004, when the director for the first time planted the non -sacred seeds that they still reap throughout these years: a disturbing and compassionate projects in which Hadžihalilovi ć describes social media For children, according to Macabre, only the rituals are the elderly who seem to understand. In the movie “Evolution”, boys who prevented children, while “Earwig”, showed an evil guardian of a group of frozen tooth sets in the girl’s mouth, based on explicit instructions from a remote shepherd.
Immediately, “The Ice Tower” explodes of this style in that we meet Jin (Clara Baccini) the day before to be able to escape her freedom. To date, it was confined to the crowded cabin somewhere in the Alps, and it was cut off from the large city and the impact of pop culture in practice. Celebrities can be tempting for the person who grew up eating sticks in remote areas, although these concepts should be transferred in one way or another.
Jin knows “Snow Queen” by heart, but she watched a movie in her life? Is it Starsteruck when you come face to face with Cristina Van Der Berg (Cotillard as a Marlene Dietrich singer)? Do you know even what is the movie star? It is different from Hadhalavic to mix with the details of how Jin originated. However, this will help to know if it has been drawn like moth to the palpittery of the film display device, or if it was just a coincidence that stumbled on this strange form of modern magic. Only by infiltrating the Delia sessions, a gene can imagine what the camera sees.
In any case, it is not surprising that we see the cinema cast a talisman on a child who can be a young man’s self -biography (while the person who plays the role of “Snow Queen” in the movie is nothing but Hadhalavic husband, Jasbar Noy). But without making Jin’s relationship with movies, it may be logical for all this about theater rehearsals instead – after all, the theater is a much easier way than the situation whose artists have never faced their fans. Here I am trying to impose a logic on the hallucinogenic style of the French director and the sensitivity to a large extent, which reduces dialogue and embraces David Lynch’s hair, which looks like a dream, as associations are more important than answers.
As she played by Bakini, the naive gene is studying, passionate about all the unfamiliar tourist attractions around her through the eyes of very large brown, as they are almost like animals. Her innocence – to return to this word – is her greatest balance. However, it is smart enough to move in certain difficult situations. Jin is better known to trust the man who offers her a tour of the mountain, and she understands the importance of something far from a clear in the movie, when a “doctor” (August) comes to manage the injection to the star then one of her anger attacks. What is in the syringe? Is Christina what is the breach of celebrity gossip that was once called a “evil drug”?
As a screen, Cotillard usually radiates allergy (it can be too much for its critics, but its greatest assets are often in projects such as “two days, one night”). So it is strange to arouse it as a iceberg and very far, as this contradicts its natural energy – although the only situation that arouses the interest of Hadžihalilović, whose films feel like a psychologically equivalent to cold retreat. Christina calls for Eva Green or Angelina Jolie, while one smile of Kotallard can melt the entire illusion. However, she is committing, and she saw her to the very annoying conclusion of the movie, as Christina tries to spoil this girl in which she saw a smaller version of herself.
By this time, Hadžihalilović uses another of its distinctive tricks, which puts things out so that the audience feels in practice. In the movie “EARGWIG”, we guided us in almost suspended the number of almost the number with a long -term train riding, and here, the high -end result, sparkling lights and privileged decorations (thrown by a kidnapped crystal decoration from Cristina’s costume) that serves the hypnosis. You can start feeling very bored, unless you allow your brain to interact with the film almost the subconscious. This is where the amazing attention of the letter – cinematography, collections, fashion and sound design – runs – and the “ice tower” becomes a kind of veneration in which we may see ourselves reflected.