There is a thin tattoo, running on the forearm from the stressful hospital nurse, Florra, and always visible after the short sleeves of her blue royal rub, but it is difficult to really look at her, because her hands are constantly in a movement, busy. Sometimes, while we follow it during stressful night tours that constitute “late transformation”, we take a look at the ink and wonder what it is, what it means, what you say about the life of this woman outside long hours of caring for strangers. Perhaps even Floria, faded hours after her feet, sometimes she watches her and reminds her of her. The sympathetic drama with Petra Volpe shows us the apparent emotional action drama, only the hero of the professional novel, although this is sometimes cracks and spare parts to reveal a wrong person in need of some care herself.
Floria Leonnch, the German actor, plays a clear and direct look and the tight situation that has recently starred as a trapped teacher in the “Teacher Hall” and the great translator on “September 5.” Its appearance in the “late transformation” indicates that it has become for roles that stimulate human disorder against a peel of quick professional ability. Volpe, like any hospital floor, is stacked with many varying narrative issues of craftsmanship and death, but the presence of Benesch is what gives the film a lot of tension, as we wonder at the point that the efficiency of her fragile personality will do. This that is accessible and easily accessible and easily from the rising star file, after the first offer of Berlinal Gala.
Structural and objective, there is nothing here to surprise any viewers who are aware of the coordination of classical drama in the hospital, but the rapid and fragile execution makes it effective. Through its multifaceted lines and the timetable for one night, “SHIFT” can easily be a pilot to rotate the euro on “ER”, spread and passion enough so that you can adjust it in another episode. For Volpe, the Italian Swiss director is famous for now for the 2017 feminist comedy “The Divine Order”, and this may be an example of more than that with regard to the sensitivity of the dominant stories novel but directed to the personality-and a solid summons for projects further. . Feel the tendency.
The opening snapshot of the film is brilliant and unexpected: a shelf on a shelf of the doctors and coinciding nurses, and travels steadily through the artificial washing process, indicating more strained human work layers that maintain the operation of the general health care system. In a sterile cabinet room, Floria puts one of these clothes preparing to turn it into the surgical wing of a large hospital in Zurich, exchange the little conversation with a colleague, and wears a pair of fresh sports shoes that the spoiler- look at hell within 12 hours. The late transformation is hard at the best times, with a lack of default objection situations. Tonight, the main colleague is absent, and the function facing the Floria moves from the challenge that cannot be controlled.
Of the 26 patients who are asking for attention to Mr. Liu (Urs Behller), an elderly man awaiting the anxiety of cancer diagnosis from a very busy doctor to register access; Mrs. Piecel (Eva Feridholm), a woman who is eventually sick, her three adult children are more than a burden in a Philoret time; Mrs. Mourina (Lille Yafas), a young mother who is exposed to cancer, discusses whether or not she will continue treatment; Mr. Song (Jeremia Chung), who is easily overlooked by the sensitivity of the severe medicines in the rush of tours; And Mr. Severin (Juerg Blugs), a wealthy and a striker who is believed to pay her herbal tea orders, has the priority of employees. At the top of all this, Floria is accused of supervising the nervous nurse subject to error (Selma)-the precious time explodes.
As with its rapid cut, which was cut “September 5” last year, the editor Hansge Wessbrich keeps all these threads (and many of them besides) standing in contact with each other, as the rhythm of the film transmits unforgettable momentum, and multiple tasks From momentum. The work environment is highly stress, high risks. The high passion is also delivered in short doses, and it rarely provides time for things to get Modelin, although the text program makes mistakes in that front here and there – while the prominent and mobile use of Anohni “Hope Es Ase” on the soundtrack is very literal as much as Half. In fact, the original German title of the movie (“Heldin”, which translates into “the heroine”) feels unnecessary – tells us what is really clear. In his wonderful procedural and defense of the wing activity, the “late transformation” explains his view enough with regard to the huge challenge and the value of the work of flowers, and thousands of thousands like it.