“There is still tomorrow,” Juggernaut is the box office in 2023, finally landing in American cinemas. It was identified in June 1946, before Italian women voted for the first time in the elections, the beautiful, funny, white and white feminist dramidi, looked at the elasticity of a working housewife from the Working class in Rome after the war. It represents the bold feature that first directed from the talented multiple Paula Cortelisi, which is not only involved in writing the narrow scenario with Furio Andreotti and Giulia Calenda. It seems that it seems to say that a movie depicting violence against women is delighted, but dealing with the film with those scenes along with Adroit’s transformations in tone and higher quality at every cinematic level makes it a very special thing.
Decisive and common favorite, “there is still tomorrow” for the first time at the Rome Film Festival in 2023, where he received three awards, including the Audience Award. Since then, the film and its global message of stability and empowerment have found festivals around the world. She won the best glory in Sydney, Joturg and Bengiao and won many national awards.
In post -war Rome, the American military police are still performing streets. The times are difficult for the working layer, which must deal with low wages and food lack. For most women, things are more difficult; Their men consider them people as second -class citizens, who silently accept the life of ill -treatment, because this was simply the culture at that time.
Delia Delia (Cortellesi) shares an apartment in the modest lower floor with her physically abusive and verbal husband, Ivano (Valerio Mastandria), two young men, two young men, a beautiful teenager Marcela (Romana Magerora Fergano), her father, his father, his father, and broadcast, shows the opening moments of the film What has become a lot in life: a slap on her face from Ivano before she got out of the bed, and Autorino tries to excel when his bed gathered and Marcel contempt for her inability to do something about it. Even she Ivano then ask to leave the house.
Despite the lack of respect you receive at home, Delia Willowy, but it is respectable (if not paid well) about the heavy pregnancy of the work you do outside: collecting umbrellas, repairing underwear, distributing injection and washing. Although Ivano is calling for its small profits and the owners of Marcela, who forced her to get rid of school and learn trade, Delia managed to move to nearly 8,000 pounds, which she plans to spend on a wedding dress for her beloved daughter.
When Marcela is involved in Julio (Francesco Centiram), the son of the owners of Snobbish Café, Delia believes that her daughter will have a better life. But one day I heard the way the boy talks to her daughter and the alarm bells are launched. With Deus Ex Machina Aid for a friendly American Joseph (Yonv Joseph), Delia sabotaging the relationship and considering a better way has its money that can benefit Marcela.
The smart and studied scenario is the context of time when the procedure occurs and helps viewers to understand this world. It also plays the audience’s expectations by presenting the gentle car mechanics Nino (Vinicio Marsioni), a former fan of Delia, who still has feelings towards her and she is for him, as well as the arrival of a mysterious message addressed to Delia.
Delicious dialogue, where most humor lies, indicates the difference between classes and also the history and expectations of the medium in which Delia is located. The wind and dancer Outorino gets many of the best lines, shaking the advantages of the children of the cousins who marry his cousins, as well as on his previous margins in stealing graves and selling artifacts to the wealthy fascists.
It is designed in the style of “rosacea” in Italy, that is, realistic characters with a love story in the background, takes corteysi and its team one step forward using music. Sometimes, the procedure provides a reverse point for the songs of the romantic period. On other occasions, they adapt to the design of musical dances to photograph home abuse.
As the ordinary woman who ultimately gains consciousness and develops from mops to challenge, expressive corteisis is excellent. It is surrounded by good representatives equally in large and small parts, which understand the story and tone. Movement in particular is the sisters of women like Delia, housewives in the neighborhood, who see how they suffer and help in the only way they can, through sympathy and loan of home commodity.
Craft credits are also worthy of praise in all fields. It is worth noting that Valentina Mariani’s accuracy has shed light on the contradictions between the domestic situation of the Delia and those that it faces outside the home.