Two of the familiar buildings of the drama of a personal crisis – reveal marriage, and recovery from the medical catastrophe – bring together the raw effect and even amazing student Janet Nordel in the second year “beginnings”. Upon her arrival after five years of appearing for the first time, “Windland”, a sad criminal drama that is speeding up by Sidi Sidi Babit Knodsen, the follow -up of the Danish writer and the director again is used with confidently reserved confidence and a clear account of the tax on the spotlight on the spotlight on thorny weapons, or two: their relationship for good.
It is a state of risky forgetfulness even before sudden strikes, as the mother of high workers in Deirhm suffers from a talented stroke, and a long -term divorce process is already developed. The “beginnings” note very carefully and intense, the conflicting emotions and the ongoing obligations between a couple of patience and are not ready to live-but his rugged outlook and his complex internal understanding extend to the other affected parties, including their increasingly fragile daughter and her lovers awaiting the next chapter of her life. Nordahl and Costriter Rasmus Birch often maintain high bets and drama that involve dirt science; The resulting film, recently shown in Berlin Panorama Strand, is widely reliable and widely distributed.
The tumultuous routine opening scenes and the first type of ANE (Dyrholm), which are the leading marine biologist in the field and a university professor with a new research project during the movement, although she is still applying to play Supermom to Clara Girls (Luna Fugls Selflm). DENCIK is more relaxed in a mood, although there is a highly tense job as a consultant in the home of late boys. He declares that he is “irresponsible and the conflict’s inspection”, and it is clear that the two were trading aircraft for a long time. Local panels pick up a highly aware of the activity and a common quality: a crowded kitchen surface forever, used by many hands but rarely tells his own story, tells his own story.
Viewers will pick up the rough cold between the husband and the wife even before they discuss, in an early scene, when they tell girls that they release. Although Thomas is already looking at apartments with Stine (Johann Luiz Schmidt), a colleague who had a love relationship for some time, he is the person who is raging foot when it comes to dismantling the unity of the family – indicating that they block the truth from their children until their home is already sold. Uneoclted stalling turns into catastrophic at medical strikes: ANE is alive from stroke, but it is told that the brain damage is very wide to ensure complete recovery. Continuous care is required because it is slowly as how to walk and the job; Thomas rises brilliantly, but his presence brings her more comfort.
As a recovery story, the “beginnings” are very difficult, and avoid easy breakthroughs of external and internal fatigue to fight an object that no longer feels completely in you. It risks sympathy for the audience in this process: a prominent scene witnesses that countless frustration of Clara during a family meal, and reaches a degree of emotional violence that is really difficult to see. Derhmm’s performance is usually without fear that is concerned with the special physical restrictions of the personality, but with borrowed internal clarity often erupts as a result.
As in the worry, the bow followed in Clara, a happy and healthy teenager turned to fragile and sometimes stunningly hateful of shock, because she gradually captures what her parents were hiding from her. Its appearance for the first time on the screen, the storm restricts these changes with auspicious control and maturity. Against these most volatile turns, DENCIK can be a calm presence, although Thomas too, sometimes swelling with anger and pain, backed by permanent love.
Only ultimately “the beginnings” are mistaken in a clear area, as the premature ANE reclamation of its independence exposes the family in ways that are greatly warned, and the credibility is prepared. This metodrami axis is an excess of the requirements of the broken family image that has already been packed with conflict and complications, and the most move when it centers on small gestures of tenderness and loyalty.