“Last Take: Rust & the Story of Halyna” Review: DOC looks at an accident – Blogging Sole

During my interview for a while with the director of the West Budget, I explained to me that if you maintain your costs, it is sufficiently low, and it is better than that, a personality actor is identified or a countryside music star is not a star, but someone Can be recognized To promote packaging and advertising, you can only convert profit on DVD and Blu-ray sales. He said: “You are doing it correctly, and you restore your money from Redbox and Big -Box stores. You are doing it wrongly – you get” rust “.

It is a theory that may appear dated today-probably, the exit now depends on if not exclusively on sales to broadcast platforms-but to pressure the industrial power of the stretching and dollar disk that continues the band in independent film makers. Since director Rachel Masson clearly shows in her exceptional documentary in Holo “Rust: Rust and Halena”, these measures can have severe consequences.

On October 21, 2021, the Ukrainian birth photographer Halina Hatchens, a fun woman seen in the American cinema industry as an emerging talent, was killed on the New Mexico collection of “rust”, West Indian, which starred in the Alec Baldwin in the role of Harlan Rast, which is determined to protect his son after his Boyta was killed. In one of these tragic paradoxes of the real drama, Baldwin Hetchins was killed by the way, and the director of Joel Souza, director Joel Souza, when he separated the pistol that he believed was loaded with voids, not live tours.

Suza and Hutchins would have been outside the fire line if they were watching the scene on screens in the safety of a nearby video village. The problem is that most of the Hatchens crew have come out of the group, citing good concerns about safety. Therefore, the director and the film forced themselves to put themselves near Baldwin when he drew the loaded weapon. “The sad paradox”, one of the interviews notes, “It is Halina who told him about the place of guidance of the gun.”

Mason, a close friend of Hutchins, builds an amazing and persuasive narration through the skillful interviews with the people participating in the tragedy – including the OSHA investigator who discovered a style of risky behavior on the “rust” group – with news footage, police interrogation, and video recorded on mobile mobile phones and the small police population.

Over and over again, Mason raises the assumptions fueled by the accounts of the tragedy and beyond, and no one-does not mean that the three people who eventually stood up to cause Hachchens-Blwwin’s death, assistant director Dave Hols, and Hanmer Hana Guterres-were more than just those who could be at least.

“In every independent group, I was absolutely,” says “Rust” Devon Werkheiser, “We do not have enough time and we have not enough money.” The circumstances were particularly struck on the “rust” website: “The narrow table was absorbed. It was difficult.” However, fashion designer Theres Davis says, “It was just fun. So far, it was not.”

At the risk of both living and dead, you are adhering to the appearance of the documentary Mason as the first -class episode of “Law & Order” (with more than a well -thrown “Rashomon” touch). While the police are achieving, the story is revealed and the questions arise: Who put the live round in a way in a Baldwin rifle? Or was it really an accident? And if this is not really a deliberate act, how can this grave negligence happen?

Then she discovered that she was Harmour. amazing.”

The director of the director Holls says that he took Guterres Reid in her speech when she claimed that she was confirmed that a Balwin rifle was loaded with voids, a decision that unfortunately lived after the death of Hitchins. (Holls was finally accused of dealing with a firearm, and he was sentenced to six months in prison in a guilt deal.) Baldwin was accused of unintentional death, despite his frequent insistence that there was no idea that the gun was loaded, but his case was rejected (this, this cannot be directed again.

As for Guterres Reed, he was convicted of the same charge, and he was sentenced to 18 months in prison. (The documentary clearly notes that the jury took only three hours to reach a ruling.) Most of the damned evidence against it: The police found other live tours near its work.

However, despite all of this, the “last take: rust and Halina’s story” do not try to wrap things with a completely satisfactory conclusion. Certainly, “RUST” was eventually completed on Montana – partially as “honor” for Hutchins – and was shown last November at the Camerimage Film Festival in Poland. (It is said that receiving the audience is “defeated”.) But we left with a worrying final address with a strongly indicating that the full story is still waiting to be listed. Perhaps, perhaps only, some other people did not serve a fair desert.

Meanwhile, the documentary, the documentary, continues to be nominated and extended the dollar, as well as cutting the angle and dangers, in the world of independent type.

“Last Take” is now flowing on Holo.

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