Life and Product Movies Timur Bekmmbetov walk together like wine and cheese. Films in this category, which are a collection of shots found, are done on computer screens and/or phones completely, and it is an official hypothesis, in its brief history-since the 2002 “The Colingswood Story” experience has developed in great ways. Bekmmbetov produced horror (“non -friend”), dramatic excitement (“research”) and even Shakespeare (“R#J” in this situation, and with “Lifehack” directed to Ronan, this type is now moving without a doubt in the theft movie area. The number of your miles may vary, but for coordination lovers, it is an absolute treatment.
Traditionally, the theft films include experienced professionals who move through space, towards a specific goal, such as Vault in “Ocean’s 11.” However, the era of cryptocurrency and digital portfolios allows for the first time to turn these expectations on their head, through a story of four teenagers alone with something to prove it. There is a noticeable amount of visual details involved in “Lifehack”, to the extent that the hypothesis of life appears to be the only way that this story can be imagined. It is a film that shows a realistic penetration (at least, more realistic than Hollywood usual), in a movie where information and memes are overwhelmed on the screen at the speed of the life of the generation Z – her pictures are carefully coordinated with human hands, instead of the algorithm. The result is a really funny and ultimately preserved production, with executions that appear to be the theft of itself.
The film pays the boundaries of the concept of screens only, given the amount of its works out of computers. It features security camera shots and faceime calls, however, it corresponds to POV for a single character-by presenting all these windows to the world on his computer, with only flocks on his smartphone. Through a quick economic montage that includes younger publications of each character (at this stage, what is the young actor who does not have a YouTube page that is a decade old? His high -power companion, his English colleague, Sayyid (Romanian Heik Al -Akhdar); And his American Alex (Yasmine Fennie) crushed him, a bright -eyed girl with secrets.
The Quartet largely brings together the game of shooting games on the Internet from the first person, but as a group with various skills, it also participates in one of the newly preferred forms of entertainment on the Internet: finding Internet contents (usually from India) demonstrators as American authorities, and threatening them in return. This approach is placed in the status of the land, both in terms of the abilities of the group of friends, as well as the Western Western morals of the modern Internet, where anything goes as long as you can justify it in your head.
This leads them to their next big plan: withdrawing the encryption theft by collecting as much information as possible in technical billionaires and right -wing media personnel without Herd (Charlie Credit Mills), which is a thin Elon Mousse with a more edge than one and more dangerous. The discovery of the group is a joy in itself, starting from an attack on Daln through his daughter influential on social media Lindsay (Jessica Reynolds). The closer to the collection of adequate information, the greater their confidence alongside the madness and anxiety, which makes “Lifehack” a chewing hour. However, the film also remains firmly rooted in the matter of what motivates them to withstand this task. There is enough time to stop the conversation between each stage of their plan to create the details of their home lives, which involve the wondering or distant parents, and their coded scheme skillfully frams as a work of teenage rebellion.
However, it was not long before the film’s moral scale of the film presented more sophisticated questions (as well as the current legal risks) about whether they should do so at all. They often try to justify their motives with an altruistic lens, but the brief glimpses of Corrigan offer us, in the rush of all adrenaline when things go on their way, otherwise. Before you know that, all fraud and fraud restores themselves through sudden turns, support the group of friends to many angles and exacerbate tensions between them.
At its peak in an intense final work with both the dimensions of the real world and life (again, as shown on the Kyle computer), “Lifehack” finds a skilled balance between its elements theft and its quiet moments. All of these proves very fun. Through technical graphic music that keeps something, the movie never slows down, even when it takes.