Sarah Snok recorded the record straight for us: her latest name “Snuke” was pronounced (for example Nawak), Not “snook” (as in book or take).
In Broadway this spring, it’s neither Snuke nor Snook, but 26 people are completely different. The 37 -year -old Australian is Chameleonic in “The Pictator of Dorian Gray” from Oscar Wilde, who changes dialects, borrowed hair, and the type of sex to tell the story of a man who makes the spiritual deal appear young forever, while his hideous image of his actions reflects.
The exhibition displays suspense, horror and humor, as well as a lot of heart. I said: “People are often attributed to Oscar Wilde with something heart.”
“Yes, he has a lot of lamentation,” Snook said. “I think there is a lot of sympathy for the human state – I think, as you know, to see the soul a real thing and as part of your body, your personality, or spiritual makeup that one might need protection and care.”
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It is a performance that SNOK won the Olivier (The British Theatre) during the London West End show.
Oscar Wilde published the story (his only novel) in 1890. Victorian critics described it as “toxic” and “morally corrupt”. Now, nearly a century and a half later, the story feels ringing. Snook said today that it is an interesting time to come to this story, “where we have such a culture based on images and the ability to build a visual image for sale for anyone via the Internet, on Instagram. And part of the reason for playing multiple different characters about choosing the mask is the right mask, which is the general/special mask that we show ourselves.”
After knowing her name abroad, Snook is now loved by the American fans as Siobhan “SHIV”, the billionaire billionaire she played as a series of a family empire in the TV series “The Caliphate”. Malouh Chef got her fans and many prizes.
But Snook at first she didn’t want to test Chef because she, she says, could not be able to be beautiful and wealthy. “Yes, there was nothing in myself that I could see, like a reflector or available in that character,” she said.
Like Dorian Gray, Chef is a hostile hero, and Snock has been pulled to those complex characters for a long time: “I have seen a ton of Disney films when I was a child, and everything I wanted to be Ursula and your delicacy, and all the bad guys, and all people who are more complicated for the reason for their presence in the first place.”
Snook discovered this complexity for itself during one of the first acting vehicles in the homeland in Adelaide: “I used to do fairy concerts. This was a good training land, because children, man, tell you whether they were not interested.”
Was she suffering? “Yes. Like, ‘fly! Lemme, I see you flying! Come! Why can’t you fly? Show us!”
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Cape Williams, the director and transformer of “Dorian Gray”, arrived at the National Institute of Dramatic Art in Sydney in the year when Snok just left. He said: “There was this word throughout the school that there is this amazing red head actress, so Radari as a director was with Sarah from the beginning.”
Williams knew he wanted to cooperate with Snook, and he felt that one actor could embody all aspects of the legendary Wilde work. “Oscar Wilde talks about this idea that life is one of the theater, and that people are always in a form of performance where they reveal or hide parts of themselves,” Williams said. “So, the shape of this piece – one of the performance that plays all these 26 characters – is an expression of that idea.”
It is with technology Williams illuminate humanity. It calls it “Cine-Theater”-combining direct performance, cameras, large screens and pre-registered videos.
So, is it fair to name this offer one woman? Williams said: “I definitely think one person’s offer, but also, one of the paradoxes, a band. The camera team and the crew are like the participants.
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She said the dance that seems very familiar to Snook: “The camera’s feeling is really near you and not disrupting your travel or flowing, I think this was really useful in the” caliphate “, because we absorbed them as a kind of additional characters in the scene.”
Snook has some additional characters in her life as well. She got married during the epidemic and has a young daughter. But as it turned out, Sarah Snok no It bitten than it can be chewed.
“So, this is your first appearance in Broadway. Did pressure since you have already got such a successful run?” I asked.
Snook replied, “In fact, there is one thing KIP said on the first day of rehearsals is,” You can just eat one tablespoon at one time. “Yes, definitely. Okay. I will do it this way.”
“Do you think you ate everything now?”
“No, now I have to eat a Broadway part of the elephant!” Snook laughed.
To watch a trailer for “The Pictore of Dorian Gray”, click on the video below:
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A story produced by Jolly Krakow. Editor: Lauren Barnilo.