Writer and director Nastia Popov meets softly a needle in her first appearance “Idiotka”, as she floods the chaotic Margareta lives (Anna Parichenicov), and she is an ambitious fashion designer with a barely sewing machine in the Russian narrow Russian region in West Hollywood. Margarita appears to be a continuous work like the construction house in which you live forever. She met her purposes by attaching signs that were removed from well -known designer signs on her own work, and then sticking to them online. But the clothes themselves show a lot of the character under the wrong announcement; Accordingly, Bubov offers a loud story of a woman who comes to her country, narrated with true humor and heart.
Like one of the Margarita dresses, there are at least some re -equivalent fabrics in “Idiotka”. Margarita is struggling with the confirmation of herself in a brutal industry and with the exit from the shadow of her quarrelsome family, but the comedy is everything on how to assemble Popov with these two sides. Nicole Alejandra Garcia (Camilla Mendes), the smart reality program for the TV show “Slay, Servive and Swave”, which discovers the Margarita video application of the rejection pile. Perhaps the Margarita stadium was not very promising on his face, but when her grandmother Jetta (Galina Juvenich) did not think twice in the explosion in the frame to a close request, Nicole suspects that the family will get a convincing background. He is much more interested in the possibility of chaos than Margarita can make.
Margareta is desperate for money, where the value of the rent is paid for five months on the apartment that is shared with Jetta, Father Samuel (Mark Ivaner) and his brother Niros (Niros Stamus). It seems that the ability to achieve $ 100,000 by signing her life on TV is a deal that she cannot reject. But Nicole is not mistaken in the belief that real entertainment comes from inside the house, as it may not like Spry Gita more than to be on the camera. But Patriarch Samuel prefers to stay outside the camera, already embarrassing after being forced to give up his medical practice after getting time in prison for health care fraud. When he leaves his children to be prematurely, no moment does not pass without a fight between the family. Margarita is responsible for maintaining a ceiling over their heads, with no power that comes with it.
The heroine may be tired of her family, but it would be good to spend more time with them in “Idiotka”. The entertainment group is the Ghiri Center, and the same story will benefit from a few of their relationships that are embodied more than just creating their dynamics. “Idiotka” associates the frenzy around Margarita at a vital pace. But Bubov is keen to obtain “slaughter, service and survival”, as Margareta competes with four “deprived designers”, and the show is impatiently linked, and the main movie laughs.
The competition is obscene, especially when the Judia Fox and Julia Fox Committee, which plays exaggerated and modern copies of themselves, but the sharp sarcasm really comes from the extent of the Popov maker well for the nuances in how such an offer works: what people can say to avoid eliminating and the comprehensive air of the mixture. The director also strongly notes how clothes are not strictly judged by their advantages: both designs must come with a story of personal inspiration, the roots are in a sorrow or social cause it is better. The value is derived from pain, not creativity.
After it was a reliable stolen in the scene in films such as “Manchester by the SEA” and “Love Lies Dleasing”, BaryShnikov is more than her first role in her pioneering role, as she plays a person who gradually learns to do the same. Her fun performance is highlighted through the wonderful work of fashion designers, Natasha Simchootz and Sophie Kay, where Margarita is equipped in bright dresses that seems to reflect everything that explodes inside because she is ready for someone who finally notices him. In “Idiotka”, talent ends on all fronts.