Jason Statham is good in his job, which explains why he continues to reserve the same types of films – well, and the fact that people continue to watch them. The British movement star has reunited with “The Beekeeper” writer David Air, “Working Man”, who is doing the least effort so far to provide the background or motivation before sending the last Statham character, Levon Cade, on a stunning violent irritation. Statham’s responsibility here is to make the Royal Marines that turned into the Chicago Construction team looks experienced enough to cause severe damage, without repetition of dozens directly from other films that he has already done.
Statham plays the “hesitant” vigilance role, and puts his deadly skills uniquely for a respectable job and a shared nursery for his young daughter (ISLA GIE), which is not easy while living from a rented pickup. Before the problem begins, Ligon is loved by everyone, as his co -workers bring homemade meals and boss Joe Garcia (Michael Benia), giving previous troubled impurities an opportunity to go directly. Then the daughter of the college’s atmosphere, Carla (Nuimi Gonzales), was kidnapped by the Russian fools while celebrating her first semester at the College of Business Administration. He is not his daughter, but Lievv raises his glorious eyebrow and I swear to do everything necessary to bring her home – even if it turns out that Carla is sufficiently enough, you may not even need to help him.
The only real surprise here is to know that a “factor man” was adapted from a novel. “Trade’s Trade” is the first in a series of 12 books written by Chuck Dixon, which comes with the “Levon Is Sear Ass.” Makes Jack Riccher look like a transit guard “on the back cover-which is a factory without a source, with the same grammatical grammarian. The scenario credit goes to Ayer and Sylvester Stallone, which is logical. This is the type of characters that Stallone made in the 1980s, when critics returned to the original men of one men, but the box office won, to the point that people now feel nostalgia for the ethical code that was closed in Stallone. Here we get “Voice of Freedom” as the second -class Jason Station.
Will the audience get tired of this Schtick? If there is anything, then this is closer to what the eight of the eight films that were nominated recently for the best image (dune “and” Wizard of Oz “Prequel were blows, but the contestants in other finals, which are not based on familiar or IP formats, failed to involve the American public). Meanwhile, the demand will always be required, and the actors that they can withdraw it are not available these days.
Dwayne Johnson has assumed the obscene of Mantle Schwarznegger, and Nicholas Cage still refers strange imaginative things, William Neeson has a crazy field/Esbasin covered. But now after Bruce Willis was allowed to retire, Statham is bald and his head (which was taking the differences on the same role since the “The The The The Power of the 2002) is more attractive like the skull kraz. Something, from a bucket from nails to a heavy, stray hammer, to a fatal weapon.
For those who remember the first appearance of the Statham-square jaws and already free of follicles in “Lock, Stock and two smoking barrel “Later of Man”.
Ligpien starts with the club’s waiter where Carla has disappeared, but his interrogation techniques prove that it lacks some extent. It is scary enough to see someone on the plane in his bathtub, linking and hanging it on the private pool, but Lievone sources continue to die during interrogation, which complicates it. It is moderate that before entering the construction, Livv had brought his military training to civil life in some shaded ability (despite heroic) or another – perhaps even recovery.
But these procedures have a very slope cost, as former comrade Johnny Levirz (David Harbor) mention it. Gonne has gone on to a mission with Livv, but he still encourages his friend to accept this task, and send contradictory messages in a movie that is not honestly concerned with exploring the consequences of Livver’s behavior. It is clear that Air and Partners create the basis for a possible concession, with a small crew of supportive personalities that could return if Air wants to return to the Russians clearly left at the end of a “working man”.
This was not the way I imagined the Air profession. For a while, he shocked me as an important voice, a person who overwhelmed himself in the language and culture of urban crime (clear in its early texts for the “Training Day” and “The Fast and the Furious”) and brought a reliable and certified authenticity to its projects. A few of his films are very good-that is, the end of the hour “and” anger “, and I will go to the grave that defends” bright “-but he feels increasingly as if he recycled old conspiracies, and the way in which direct movement films were in the late twentieth century.
Air works with larger budgets and more firm stars, but the dynamic Air Statham represented by “The Beekeber” and “Working Man” are at best the blue -collar version of what Tom Cruise and writer and director Christopher Macquari did through many projects, including the old cross goalkeeper, “Jack Monter”. Today’s higher stars know their place and develop projects that play their strengths (take the base that Johnson requested from his creative collaborators for a decade: “The Rock does not do romance”). In the case of Statham, it makes it constant if it is somewhat limited – the one that makes it work, and penetrates the massacre of the unique masses.