Horror movies are now a producer, most of which are very devoted to calm the audience-jumping the fear, and demons that fall into demons-it is actually rare to see a horror movie from the week, which is flat in the old school. But the “woman in the annihilation” is very close. It is like a haunted house movie with no tricks.
It opens with the central character, Ramona (Daniel Detwell), lying in the bed, watching a phone video for her husband, David (Russell Horsbi), talking about the dream he had, as the farm in which they lived and renewed ended. Reality is Grimmer. David is not anywhere it can be seen, and since Ramona is forcing itself to get out of the bed, and looks depressed enough to join the damn, we see that it is wearing a pillar walking along its broken leg. We put two and two together: there is a car accident, and David is no longer. (The broken car sits in the courtyard, which is … strange.)
On the bottom floor, Ramona tries to call energy to be with her children, Tai’s martial teenager (Biton Jackson) and a warrior teacher Annie (Estela Kahi), and eating a terrible breakfast of eggs and Doraitos prepared by Tae. But she does not go. It is an emotional debris, you don’t even have the will to contact the electricity company when the energy comes out. The theoretical depression may be a good topic for a horror movie, but a film About depression should not be … depression. But the “woman in the courtyard” has a wonderful half an hour, where everything is clarified, but there is not enough.
Finally, the title of the title of the movie makes it appear. She is a ghost character attached to Blawwi black materials, which cover even her head (looks like bee breeder), sitting about 100 feet from home in a chair of decorative cast iron, with her hands only visible, quietly folded like Mondula Lisa. It is trivial rocks that both children, and discover this mysterious existence, refer to it as a “woman”. Because at this stage, how can they know?
Ramona graduated to talk to her-indeed, the woman in the courtyard, which was played by the Nigerian artist, dancer, and actor Okwui okpokwasili (who mimics Grace Jones’s hot glow), talks to her with a kind of wrong pile. It is not some of the pieces. But she seems to know everything about Ramona. It is the specter of fate to bring Ramona to salvation. For a long time, although it is only Sitting There, it does not move, and it is also a little screaming, as it seems that it is not a fateful icon of the self -deficiency of the film.
I am not against the horror movie that works with the suggestion instead of the fiercely fiercely fiercely governing a lot of horror. However, “Women in the Unemployment” are actually thin and clear like all of these films. It is slower, with less tricks. At some point, after the woman entered the yard to the house, there is a scene of a parallel to the things that wander in a room for about two minutes, and otherwise anything else in the movie so that you can hear the sound of the product in practice saying:
Director, Jaium Colit-Sira (who made “orphans”, who has become a piece of worship of Shlock), does not raise the pulse of your fear as much as the heartbeat, and the text of Sam Stefanak is just the minimum shine on “The Shing”. We are stuck in this house, without anything but a three -flyer -engraving family. Daniel Ditwell, of course, is a major actress, but here, she plays a besieged character in her misery, there is no difference in her performance. “Women in the annihilation” never prepare the imagination of horror or even shake you. It is the story of one inner demons.