Charlie Hiller (Rami Malik), the engineer of the crazy secret columns in the middle of the “amateur”, a CIA analyst works five floors underground in Langley, in the decoding and analysis section. There, he is the master of all encrypted and apparent things, and he is infiltrated with distinction with distinction. Outside the office, he and his lover, Sarah (Rachel Brucenan), resides on a renovated farm and appears to have an ideal life. So when Sarah, on the companies’ trip to London, is transferred as hostages by a terrorist staff and killed immediately, it seems as if the presence of Charlie has been eliminated. Since the tragedy was an international accident, his heads at the agency assure him that the perpetrators will be chased. But this is not enough for Charlie. He will not spoil his anger, and his desire to take revenge. Instead, Charlie says, “I want to kill them himself.”
He will have to go to do so. After all, what is the benefit that will be the revenge movie if the revenge is approved? You destroy the law yourself is what gives it a special flavor. I am promising the movie Revenge as we know it again to “Joe” (1970), where the Hardhat Peter Boyle building went to a war against the Habi community, but of course the formative revenge films “walking tall” (1973) and “Death Wish” (1974), which was about men to capture the weapon (A Handgun Club). The Revenge movie helped in the basis for the conservative revolution-before Fox News, its novel “No Mercy” was echoed in 10,000 right-wing broadcasts. It may be the culmination of this legacy of revenge for the Donald Trump’s business schedule. There are moments when it seems less than the president.
Again a day, part of the power of revenge was his anti -society sabotage kick. Charles Bronson played in the movie “Death Wish”, a mild architect, when his wife was killed, communicated with the inner bullying. In movies, this is the “rise” of revenge – allows you to feel riyals and outside the law. But “amateurs”, after many decades of these films, were manufactured with an elegant technical appearance, utilitarian efficiency, and isolation from the poker that allows this type to feel friction like video game.
Charlie, in his hideout at the CIA, is not a violent man, and the movie’s hook is that even when he goes to his rampage, he is separate from his violent pulse. It is not good in shooting a pistol (it is close to looking), and it does not become almost a bare quarrel for each hero of the movement. He is not a working man. He is a man planning. Even while Paris exceeds Marseille to Istanbul to the Baltic coast, and they chanted after criminals who are a kind of independent arms brokers of the bad nation, it is still, in some sense, behind that office, penetration and manipulation, and the execution of its hand traps, although this is what makes you mostly watch many films.
Perhaps this is the reason that “amateur” does not pack all this punch. It was directed, with an unknown efficiency, by James Hosh, the director of the British TV who managed the episodes of “Doctor Ho”, and the scenario, written by Ken Nolan and Gary Spinelli (based on Robert Little’s novel), reserves the throwing of things on us. But there is a difference between the wonderful transformations and earning them. It may seem sad to complain that the secret excitement is the task: unreasonable, but it seems that much of what happens in “amateur” … arbitrary. Charlie appears in a strange language, follows one of the concerned killers and faces it, and tries to make him give up the group leader’s position, and when he refuses it is better to think that the suspended glass swimming pool that he was fighting in the middle of the night had been provided with explosives. Sometimes, the “amateur” could have called the “explosive”.
Charlie initially tries to blackmail the various CIA, after stumbling in the coverage of an agency for a drone attack in which 1,000 civilians were killed. But it is not good to blackmail the CIA. To buy time, the agency’s vice manager, Alexor (Hoult Mcalani), along with Charlie’s Small Revenge Conspiracy, plays, even giving him a special “training” under the guardianship of veteran warrior Robert Henderson (Lawrence Fishbrin), who dominates Charlie by saying, “You are not a killer.” Zips training very quickly, it is almost joke; The basic point is that for Charlie, learning to move in these actions is not completely taken by clichés.
But as soon as it gives the slide to Mour, who continues to send supervisors to hold it, the “amateur” turns to the movie “Born”, missing interlocking battles and chases of car in cars, crossed with the “desire of death” that crossed with “Munich” crossed with the “killer” He is killing. The film was not made badly (it’s not less than viewing), but a lot of pulp has been crowded in its mixer.
There is a funny moment when Charlie chooses an apartment with the help of an educational video on how to do this. The scene refers to a completely different type of “The Amateur” movies, if it really was about its title. But the scene seems to be some reckless remains of a previous draft; This is the quality of learning as if you are almost enough. Charlie ultimately forms an alliance with the spy who was compatible with him for five years under the name inquiline, which turned out to be … a little of the cat.
This is the third excitement that Rami Malik has made since he became a star in “Bohemian Rhapsody”, and he pushes his tense mood, even closer to his brand center. He is the appropriate actor to play a digital obsessive that turned into his Mina. Those eyes are like a laser. His best moment comes early, when he abandons one of the killers (asthma) in a plastic medical room and throws pollen in it. For a moment, you can taste sadism. Mostly, though, Malek plays its systematic task of revenge as if it was almost theoretical. Imagine “amateurs” – that Charlie should do all this himself – in the heart. For this reason, the film is fine but not, as you know, killer.