“Singer”, authored and directed by Ryan Kogerer, is a municipal, envelope, historical, and professional vampire film from dusk. It is a rich imagined image that behaves vibrant for a deep society in the south in the early thirties. It is also an explosion in wild and bloody sore throat-an exciting film to push something if it can go to. (The film contains a file a lot In her minds)
He was appointed in 1932, throughout a long day and day in the rural town of Clarkezel, Mississippi, a place for participants, blues, racist and exciting passion. Michael B plays. Jordan, in a double role, the role of Smoxstak twins, smoke and stack, who grew up in Clarkedale but left to fight on the German front in the First World War and ended up in Chicago, where they worked in the Cabonian family and sharpened their skills in the world of crime. They were fraudsters, pimps, and murderers. They have now returned to their hometown, in the land of Jim Crowe, because as he put it, “Chicago is only Mississippi with long buildings.”
The double performance of Jordan is presented with a modern digital deception, as the two letters pass a back and forth cigarette, and the film indicates a lack of distinction between them in any super way. Sports smoke, a blue, blue, blue hat. Stack wears a red red hat and has two of his gold -specifically teeth. But they got the same thick fish, the same huge muscle mode, the same renewable clouds in the broken house.
We have to look closely to capture the difference, which is in the Stack’s Soft Smile, and the lack of smoke to one; Stacking hard but wrapped to cut people a break, the most cold Stack position. Jordan makes the differences quiet, accurate and deep, in the way Robert de Niro did in its double criminal performance in “The Alto Knights”. Twins Twins Smokestack is the twisted version of a good and bad policeman, although the signs of hip in the hip in good clothes. Jordan invests them with the prominent star.
Horror films often contain great topics, but “sinners” is a rare horror movie that revolves around a heavy and vital thing: the wages of sin in black America, which is the idea that in the movie it extends from embracing the crime as a way to transcend repression to the craftsmanship. (As the insight of the Blues, he was basically the inventor of rock and roll music.)
Robert Johnson does not appear in “sinners”, but one of the main characters of the film, who was born at the same time (in 1911), is Sami Moore (the newcomer Miles Caton), known as the preacher Boy, and has a unique talent – his lyric guitar and her lyric sounds swing in steadfastness. He is the cousin of Smokestack Twins, and they occupy him to play in the JUKE joint. It offers the same offer to Delta Slim, an old Harmonica player and the piano (which Delrywi Lindo is perfect) who will go anywhere if there is enough wines (the twins brought 500 bottles of Irish beer from the north).
12 years ago, Ryan Kogler has built his career in Hollywood-with a step-by-step intelligence. After creating itself, with the “Fruitvale Station” (2013), a possible heir to a director like Scorsese, made Coogeler “Creed” (2015), and “Rocky” Spinoff Fluf AS WRITFELT and HorsFELT as it gets, which sends it to the pre -leaf, which you send to the top. It is now the rare director who can call the shots. Looking at that influence, “Singer” is a movie that tells us a lot about Coogler, and also about the location of the cinema culture today.
In many ways, “sinners” are a personal vision, soaked in its nervous and expanding sticker in the thirties of black America. The film was wonderfully filmed, as we immersed cinematic filming in the fall Arkapaw in the splendor of the sun and lush bishop in the country. It is also the fifth movie (out of five) that Koger made with Jordan, and she feels that the director’s taste is the gentle way that he enters into the wavelength of smoke and writing, which makes us careful to see them succeed. Despite all the strong arm tactics, these two carry themselves as huge businessmen. To make Juke Joint Coint, they want to make an offer that will stop tonight. This is the way they intend to kill, and this is exactly what happens, but not the way they planned.
If you do not go to knowing that “sinners” was a horror movie, you will not guess it from the first hour. I got a lot of realistic vitality. Twins Smokestack literally spends one day after one day in the opening mode of Juke Coint (which is the same night), and the more people who line up to help (buy catfish and assign the joint brand of the joint from the Chinese spouses, which Li Jun Li and Yao play, who run the local grocery store), the more it is more involved in this the society. Every twin left a woman behind her, and this is part of the film layers. Mary, who played the role of Haley Steinfield with the Aristical air (more than ever, was born to play with Elizabeth Taylor), loved and abandoned, and although he will not say it is clear that what made him cut off the relationship is impossible, in his mind, to preserve it in the racist world. Smoke abandoned Annie, a local medicine woman who had a child (the infant died). She played the role of Wunmi Mosku, the actress who came out of anywhere, and looks – it’s a strict passion.
I will admit that I was so concealed in these characters that he was disappointed with disappointment when Remming (Jack O’Connell), which is the annoying Varmint of a vampire, appears in the house of a farm couple (they have a klaan sheet and a wall hood), and a long time before shiny shiny eyes. This is Coogler making the movie that he wants to make (by following the template, perhaps, from Jordan Bell). However, you can also hear the Megaplex Caling song, saying: “What is the hope that the prevailing movie will achieve if it is not imagination?” Forgive me, but I do not want to see the side of Scorsese of Ryan Kogler swallowing it.
Vampire metaphors are almost exciting, but despite the somewhat steam atmosphere of “sinners” (in the JUKE joint, there is a full Lotta hook “Up Goin”), this is not what it means here. Vampires are presented as accessories for the racist white culture that wants to stop the party. The three vampires appear in the joint, but the way the vampire protocol works to be invited to enter. Smoke and stack are very suspicious for KowTow on this gate. But this is good – they will infiltrate it in a different way, by making Mary go out and talk to them (while playing a nice popular song).
The vampire is eternal life, but they are like a zombie who have been allowed to dismantle your freedom. This, in the case of this preparation, takes a greater meaning, because black characters are already looking for the taste of freedom, which they find through the liberal spirit of the JUKE joint. Once the main characters and fighting for their lives are held, “sinners” become the story of vampires as worship. There is a terrible creeping scene in which the vampires, led by the fiery Remmic, are fiery, and entered into an Irish dance (at this stage, there are black vampires who were bitten and they are part of worship), and the message is: abandoning your freedom and joining us!
Coogler, at some point, does a long and ravaged stage across the dance hall, and we are a celebration that appears to be out of the stage of the parliament here. (This may be a little preacher, but the wrong gradual makes it work.) However, Coogler also downloads the movie – may carry it – with double myths. Music is free, the voice of a new world, the vampire wants to close it. But she also, the legend of Robert Johnson, is a music with a demonic tinge. The preacher of Boy, who plays the guitar that the twins gave (the smoke tells him that Charlie Paton) is the son of the local preacher. It is separated from the church to play the music of Satan. But is this what “sinners” believe in seriously? Stay tuned for the post-prolonged credit sequence, which is more than just a joke-it is the place where Kogler, who dates Borde Borde, is the fictional cosmology in the movie Blues. Although he might have had a little less than imagination.