American films outperform the arresting development issues. (There is a very American thing about it). However, every day you see an attractive independent comedy about “butter”-which characters in a specific age are still sealed inside the youth bubble, to the extent that they consider traditional activities such as keeping a job or caring for another person who exceeds the efforts of three wages.
The smart and astronomical saranto is this type of film. It has been called a comedy on the road, and technically, if you are a comedy on the road a movie that the two main people were old friends who might no longer like each other, who climb to the ancient golden Chrysler – the car that they participated in their youth – and driving from Los Angeles to Sacramento, a trip that takes every six hours (and about 25 minutes of the movie).
Why do they go there? It seems that it can be the gloss of Mumblikor on “real pain” (although perhaps, given the shift in the mood of generations, we must refresh and return this type now by calling it Chattercore), Glenn (Michael Cera), who resides in La, is what appears before he explains that, displays what it is, displays what it is, displays that, displays that, and shows that, and who shows it, and who shows it, , This is approaching that, and from it. The reckless elegant who turned his refusal to grow into an increasing and even crazy state of existence.
For beginners, he is a satisfactory liar. Ricky Glenn is convinced to go on the trip by explaining that his father died a month ago, and that he wanted to go to Sacramento because his father’s ashes are in the ocean. There are just problems with this story. Sacramento is not near the ocean. When they stop in a store, Ricky quickly empties a box of tennis balls and fills them with dirt – his father’s ashes.
So the entire trip is based on a wrong excuse. But Glenn, the rectum, does not come too clean. Ricky did not even tell his wife, Rosie, who is playing by Christine Stewart in eight months. (Ricky, discovered aspects of a bed in the backyard, and responded to it. Certainly, this is what parents are supposed to do (and perhaps always do), but in “SACRARENTO”, the point is that the possibility to become a father, to Gleen, like the exciting Olympic Games. He is a gentle millennium, floundering and living, but all this does not go TRUE for him. It gives him a pent -up nervous breakdown.
After that, the thing he was afraid to come up with: he loses his job (it seems that he works in a technical company, has the demobilization of the main workers). Welcome to Venus 2.0.
In addition to giving a thorny, convincing performance like Ricky, the equivalent of the movie to Kiran Kulkin, Michael Anjrano, and Michael Anjrano directs “SARTTO”. It proves to be a self -confident and vital film director, although it is almost mysterious and randomly. It does not draw the gentle and deadly rings of roads (thank God). He wants to explain to us from these two men-their mixture of the oldest friend in the world, fermentation of compensation, and lack of responsibility. Once they arrive in Sacramento, they stop at a bar and communicate with a couple of women (AJ Mendez and Iman Karram) who possess and hand the combat gym, and we taste the way these two people are accustomed to competing for the same women, all to provide them with providing them by providing them with competitive friendships.
But that’s all just his nostalgia. Why are they here now? Because Ricky, as it turned out, has a child of his own, and he did not start owning him to be a father. He sponsored the child’s mother, next (Maya Erskin), and not sure that she wanted it. (Who has rights It does not happen to him.) This is the end of the world. To reach this, what Ricky and Jalin have to do is to give up ourselves that are not arrogant to each other.
Angarano has theaters, but Cera is the one that proves itself, more than ever, to be a major actor. Initially, when you see it in his beard incomplete, you think he only plays some old version of Michael Cera of Old. But he has less easy and rooted, and he does something bolder. It creates a character mixed with pain and comfort for happiness. Michael Sera has been knocking on television and Eindy world for years until now, but if Hollywood still wanted to make real films, there may be a major place for him.