I am always ready for a movie directed by an actor I love. Often, this actor will be good in directing other actors, building a service film about it, and this is related to it. However, there is still an adventure that is involved when you really feel Know actor. She went to “Water Chimney Set”, the first movie directed by Christine Stewart, with increasing curiosity and increasing hope. She has long felt that she was a great actress and a great star. What will you reveal as a director?
Hope pays for fruits. “Water Time Step” is not a good thing, actor, and actors-Affinis Avenis-who lead reading. It is more annihilated and familiar with it. It is based on the 2011 notes written by Lidia Yuknavitch, who narrated the story of how she grew up in a sexually abusive family, and how she tried to stay away from her legacy – through competitive swimming, through sex, drugs and other curses to escape, and eventually by becoming a writer in Charles Bokovki’s position. However, for a long time, her escape did not succeed. It was very printed with the disease on which it was visited.
All this incredibly internal. It is a kind of thing that I saw a hundred film makers trying to investigate the dramatic, and what you tend to obtain is good intentions, a lot of piety about abusive families, and perhaps a practical shadow of the awareness that the film makes.
Christine Stewart shoots all of this. As a director of a director, she works on high wires-making a movie everyone About consciousness, one of them shows you everything but does not clearly explain it. It presents the story of Lidia Yuknavitch out of the sequence, in the moments of the impressionist that burns themselves in your imagination, as if every shot torn from hidden diaries. This is the beauty of what films can do. It can be wet and honest – giving us distinct glimpses of the forbidden, which really resembles people, among all the mud, pain and yearning that we cover.
Lydia, which she plays with IMOGEN play, remains to the house of San Francisco in which she grew up with her older sister (Thor (Persh); Pick like a whip.
This is not half of it. The film explicitly showed us its sexual abuse of hands, but there are moments to crawl, which puts everything around it (or you will hear something he said). This combines in the film talisman – to put the abuse in the center of everything, but it is also as if it was a ghost. When a parent disappears a child, the experience can be very horrific, so that what happens is that the essence of the child’s identity is broken. It becomes torn, disgusting. This is a very part of this topic.
This is what happens to Diya. She goes out to the world in high school swimming, then as a failed university student, but what you really do is put a mask. the Ha – Who is – not there is completely. IMOGEN POOTS has always had its brighter, and it does not give up. It invests Lydia with its full attractiveness. This extends when you become a couple with a man sensitive to the popular number (Tom Storridge), with the exception of the negativity that makes him a sedative tempting her (until you retreat from him), to the moments she takes in the drug and falsehood, to the scene in which she finally says, “Fuck with you, Modrucker” to her father. Film pictures of water flow at one time. Water is the thing that carries Lydia, which allows it to escape, which reflects the quality of the fluids inside, and this is its way to compensate for the indescribable pain.
Lidia holds, takes large bites of life, and passes a lot. She is pregnant and decides to give birth to the child (her sister agrees to help her care for that), but the child is dead. She came out of vodka from her bottle and embraced sex, dreaded men, then women, then men again, she always reached out, but even when she arrived, she could not … override. It is restricted to the chains of these memories Ha But you must deny, so that you are never anyone.
“The time sequence of water” invites us to try every moment as if it was happening, but the film really tells the story of a soul – that is trying to survive, and becomes complete, during every moment. This is what the amazing POOTS performance picked up: hunger and ruin in Lydia, but also the hidden space inside, the room where its secrets are located. Stewart, who works with Corey c The drama is Pointillistic, and the way it was in the “Tree of Life” – the hair that illuminates and overwhelms.
Lidia gets a swimming scholarship in Texas Tech, and comes out due to her dissolving lifestyle, and then, through the random communication of a friend, gets a chance to join the Ken Casey class at Oregon University. The legendary author of “One Fly Over The Cockoo’s Nest” will write a cooperative novel with his students, and the 70 -year -old Belushi, who plays, raises the film with the joy of Beatnik. Casey takes Lydia under his wing and makes her think about words in a new way. The scene that was invited to deliver a prose tool for reading is great. Her words do not look written – look like memory cramps. For this reason she is a real writer.
Stewart is filming almost the entire movie, without creating shots-and most importantly, without the type of interpretative preparation that many scenes do not need in movies. We are not so He said Lydia will go to the beach to spread the ashes of her dead baby, or that one of her guide (played by Sonic Youth Kim Gordon) will liberate Lydia’s imagination by hitting her with a belt, or she will move to a writing teacher. These facts are just up. They are part of the liquid flow of life. But in the end, we appear as if it was intentional.