Margaret Calley Sevan through “Honey No!” Like a movie star, it may have been born in the wrong era, but it will achieve the utmost benefit from it. Long tall, in red heels and flowering red dress, hair in flowing rings, lips it with the purpose, playing Qualley O’DONGHue honey, which is a special investigator in Bickesfeld and has a deep sound and a fixed look from boiled boilm from the fifties.
Hani, who is driving the Chevrolet CS, must keep a local policeman (Charlie Day) to tell him, “I love girls.” It does not lie, but the fact that he cannot hear it says a lot about the deviant method, the world still looks at strange women. Meanwhile, the film looks forward to its starring in a very flowing manner Tarantino-Metz Jin Rossell. In another era, honey could have been treated as an object of love, but in “honey no!” Her voice gives you the darkest honey that she is in driving.
This week at the Cannes Festival, actor Paul Mescal said diverse“I think in the cinema we are moving away from traditional and adult male characters.” I have a little news for him: In the cinema, it is so alpha – Alpha males, and females alpha also – that still make the world revolve, and will always. But now we are in an era when some of the taste makers are uncomfortable with that. Last year, a number of cinema critics were not happy with how Margaret’s sexual performance in the movie “The Mortance”-they treated as if this dimension of the movie was linked in one way or another to conspiracy to male look. But the unusual captive of Qualley is part of what will make her a very large movie star. It is not reactionary – it is immortal. She is also a brilliant and honorable actress who knows how to bend a scene of her rhythms.
“Honey La” tonight was shown in the midnight section at the Cannes Festival (I love the Cannes Festival has a midnight section – it is somewhat similar to the saying “Grindhouse Wing for the Criterion Group”, which is thinking about this is a good idea), and this is exactly where the movie belongs. Like “Drive-Away Dolls” last year, which is a piece of accompanying it, “dear no!” It is a deliberate movie – a fake, fake, light and funny movie, and it just tries to show you a fun time.
In the movie “Drive-Away Dolls”, Qualley played a completely different character: the exciting lighters named Jimmy who spoke a mile per minute (her style was analog nail of sexual desire-permanent movement), which was pulled in Kaber was on the flag (revolving around a large square bag). Honey O’Donughue is a more button, and the new movie contains a different tone, less clear, more clear and more direct, with a small town established in the opening credits, where all names are included in signs of stores and restaurants diverged in Bakersfield.
The film is the second in what his director, Ethan Quinn, said that it will be a trilogy of stories-which was not exactly guessed after the emergence of “Drive-Away Dolls”, because this film was not respected and got $ 5 million. However, as one of the only critics who loved it, I was awake to see “honey no!” I was not disappointed. What is Ethan Quinn and his wife, Tricia Cook (write these films together and edit them), is fun and “progressive” in a anti -levant way. In each movie, Qualley’s heroine is accidentally and not losing (as with Tricia Cooke), film hook – entire triple hook responsible.
“Dear no!” It was appointed in a lower era specifically than “Drive-Away Dolls”, which occurred in 1999. Honey, in its office, keeps their contacts in Rolodex and appears before the computer, although this may be part of Ara Ara. This conspiracy, again, aims to hypocrisy of Central America – in this case, the four temple, the local church that opens itself to the troubled diocese, all of this until its leader is provided, Reverend Drew (Chris Evans), with a herd ready for weak young women that he can wear in S&M Regalia and BED with Will.
Drew, who has television hair and preached to the president of a microphone, is the leader of worship and criminal, involved in the drug and the worst. The film revolves around the killing of one of his followers, and the incidents that escalated from trying to cover up it. This looks a little nuts, especially since the film plays as a dry joke. (It is good to see Chris Evans enjoying himself as he depicts a piece of garbage.) If you feel “Drive-away Dolls” as if it was “Arizona Light Raising”, this is closer to “blood blood”, although it is a downfall in the game “Raymond” in the spirit of “Raymond”. In “Honey No!” , The main purpose of the fraudsters is to keep our company.
Honey suffers from family complications, such as a turbulent sister (Christine Conoli) and the daughter of the sisters of the villain (Talia Ryder) with an abusive friend. An interesting overlap between honey and “Drive-Away Dolls” is that no one can maintain a relationship. Honey is involved with MG (Aubrey Plaza), a policeman who apparently lives on the inside like the suburbs of the “Psycho” house, thanks to the Plaza Performance Habiba, their relationship is greatly felt.
Seven years have passed since The Coen Brothers filmed a movie together, and at that time, during which he announced the end of their creative partnership, and the profession of every brother has been played surprisingly. To some extent or not, I have always thought about Joel Quinn as the engine and Shaker, and Ethan as the little brother puts signs. (Joel is now 70 years old; Ethan is 67 years old. This did not change when Ethan did his work in “Jerry Lewis”, “Jerry Lewis: a problem in mind” (2022), or last year when he came out with “Drive-Away Dolls”. But now that Ethan Quinn, with Trichia Cook as his creative partner, committed to becoming a minor but attractive to these films, which gave Margaret Quwali a profitable base for her talent, and I say that he is suddenly similar to the engine and the grateful. “Dear no!” He was appointed to open this summer. But I am really excited to know who will play in the third chapter.