Even in the supposed enlightened societies, Iman’s article is in practice that the identity of a woman as a mother must abandon all other identities. Not only that: Any woman who does not want to sacrifice all the other love in her life in order to love her child is unnatural, deviation and free from the final taboos: a bad mother. Anna Casinaf Campit, which moves “Love Me Tender”, based on the semi -autobiography by Constance Derebberry, aims to turn this ideology scattered from hypocrisy, high expectations that cannot be violated, greatly preferred thanks to the amazing Vicky Krieps. The paths that are a social success as a few, narrow, and extreme mother, but there are a million ways to fail.
Krieps, Lean and Rangy in shirts and dynams, plays the role of Clémence, a divorced writer who is used to be a lawyer, and she participates friendly in her eight-year-old son Paul’s custody with “Fall Fall”. Clemens, who appears in the aftermath of the Great Self -Method. In the pool one day, she swims in her rolls, retreated with a woman in her changing cabin, then went out to a sunny day in Parisia and praises her child. He asks her to what extent swims today. In small rituals between them, the sky appears.
The warm loose DP Kristy Baboul camera swirls around it as classic Viola plays – in some days they are only good days – but Clément did not tell Laurent (not to mention Paul) that she sees women now. So she arranges a meeting with her ex -husband in a familiar café and breaks the news, confidence in his reaction, is confident of his understanding. In fact, it is almost funny, the way it is run, with the fake Laurent response with that-it is not familiar to a long-term clouds on its drink. But later, later, we will understand the hidden currents in this smart scene, and we wonder whether the gentle Clément behavior, and their friendly rejection but the firm that Laurent is making later, is what causes his unimaginable bitterness. Because the sexual freedom that Cleils has recently caused is an ambiguity of Ran to capture the most retaliatory revenge on it. First, Paul keeps it, then lawyer Laurent gets the courts, making false allegations of the most stable type in a successful attempt to fully hang it. The damage that Paul will cause it does not seem to be a worker.
Here the film, like the life of Clémence, into two parts: one part of which carries its professional, personal and romantic life, and the other takes the job close to the time of fighting through a legal quagmire to restore its mother rights. Although all those concerned understand that it is without blame, the intense process continues to the extent that you will not see Paul for 18 months, or as you say in the audio comment (little but in a rhetoric of the work of Clémence, “two of her birthdays, one of it.” However, she is bound by brief sessions under the supervision of a social worker (Aurélia Peetit). The embrace that followed is a heartbreaking satisfaction, but away from the end of the story.
In more than two hours, “Love Me Tender” feels for a very long time, especially as soon as Clément with journalist Sarah (Monia Chawker) becomes more serious. Chokri is somewhat wrong and their relationship, despite the pleasant, frank sex scene that involves using a belt that you practice, less persuasive in its chemistry, for example, a clénce cabaret with Victoire (Ji-MIN Park that is not used from “returning to Seoul”). But the time she spent hanging with Clémence and her colleague in the apartment Liu (Julian de Saint Jean), or her father (Viovor Atkin) could not feel lost when Krebis residents are completed in the role. It is a tremendous and generous performance, and even her body language changes-cohesive and indifferent when rotating a new mistress, loose goal and girl when relaxing with friends, huge and pressure in this terrible mediation room, her comrades on low, and focusing her expression like her heart’s willingness to slow her rhythm.
After this year, “We believe that you are” from Belgium and “All to Play” for the year 2023, starring Virgin Evra, the French dramatic works that follow the mothers involved in the family court custody disputes pass a moment. “Love Me Tender” is a noticeable addition to this direction, for Krieps, but also because of his sadness but stirring: Clémence makes a devastating and devastating decision, which does not seem to be the most charming hope.