For a long time in the famous cinematic fiction, the French countryside was a golden place, from Haybalis, wildflowers, beautiful staff. Recently, thanks to the dark sensitivities of Bruno Domont and Alan Goyerodi, moisture raising land has become strange stories from rural areas and deviation in the small city. This is the new tradition to which she belongs to “Julia Kalaski-not at least because it includes two fashionables in” Jean-BAptism Durand and “Standing Vertical” Raphaël Thiéry (both actors also appear in “Light Foxes” that also play in managers. ” It ultimately provides it, but the title of Kowalski in the second year represents a strong addition to the sub -type, as it develops into an interesting mix of sugar and dirt, as popular terror flourishes with regional distress, and the wool browses through Muck.
The opening moments are enhanced by their color repulsion, with a group of spare parts, uncomfortable for Daniel Kualasky, a short introduction with fire, and a tilted personality, and the devil’s shots are gathered into a clearer view in an empty street lined with low homes under a low gray sky. This is the bleak French city, which was shot as if from the laughing lenses written by DP Simon Beaufils (“Anatomy of the Fall”), near the Polish farmer Henrik (Wojciech Skibinski) on a small with his children Tomek (Przemylaw Prizestiski) and Bogdan (Kuba DYNIEW). Just called now. Na is a small thing close, and he permanently intimidates her fat brothers and incense, and doubts by her father, and he is very affectionate towards her, but also worries who inherited the “evil” of her dead mother. ”
It may be right to worry. NAW is usually easy to lead and sobriety, and sometimes bouts and disturbing (which Wróbel enacted with brutal, brutal bodily) that tries to get rid of them with continuous prayer. But the return of a mysterious young woman Sandra (Roxan Mysakida), a blond of cracks wearing a stem and atmosphere of jucks from contempt for boycotting her hometown, suddenly expanded the horizons of Na. She is fascinated by her charming neighbor in a confused way, not sure whether she wants to befriend her, or to be with her or simply. Meanwhile, Henrik’s cows began to die, leaving mucus deposits on their orders. Franck (Durand), the local veterinarian who has NAW has a stop flirt (largely due to the lack of other options) is unable to determine the disease.
The atmosphere, which was never cheerful, and never eased through a hint of the most sarcastic humor, takes a role in one of the horrific evenings in the aftermath of The Bawdy Revels that celebrate the TOMEK wedding. Sandra and Nu were drunk in the forest by Frank and his humble friend (Theiri), followed by a direct meeting from the film exploiting the seventies, which ends in a strong annoying note when Sandra works, and she works for her clothes made of that, trying to ignore her by telling her “I am used to that.” From this point of ignorance-if the innocence is barely-the writer and director Kawalasky pushes her troubled heroine to more mysterious lands than ever, as Ezabelle Mankoyleette after the excellent liberation NOO allows the visions and memories of her mother the fossil to the inverted reality.
This depends on a third act characterized by the uniqueness in the air, but it is frustrated at the level of narration and personality where Kowalski reaches a mysterious conclusion that disappears the feeling of distress and cold. This terrible place, violent in the word, thought and action, with its papers and lips, and the follow -up, and it deserves its implicit biases and the rest of the women hate women, a final fire, instead of the banking embers that are presented here. But perhaps this is a point that has no satisfactory but it cannot be denied: there are no difficult minds of these small behaviors, and this means that the harsh spirits. In the face of persecution, it was incorrectly completed, the only possibilities are surrender and collusion with many or escaping from the blessed/cursed few.