The listening at the intersection of a colored music, family and identity, for the first time in the Anderson filmmakers. It is an affair immediately. You do not really have to know anything about Korean folk music (or K-POP) to estimate this cheerful jewel celebration with relations between generations and optimistic rhythms. Also, the movie star, Grammy award -winning musician. PAAK and its actor so as a magnetician that it will make you click on your foot and roast them for their tasks that appear on the screen before you know that.
Participated in the pioneer in the charming group of the film, son. Pak, Soul Rasheed, in a story. . Knowing that this only increases the exciting flavors of “K-Pops!” – It was not the case during the lock that we are all lucky enough to survive in the disease, and we set us to what we loved more, and we learned a lot about ourselves as well as the closest to us?
You can feel the loving energy all over “K-POPS!” This is followed by BJ (. One night, he meets the cold Ji (J. Yong Han), who seems to go beyond the scene of dating in Los Angeles, full of the inappropriate suitor who calls them “an emotional unstable profit with commitment issues”. Their expectations are no longer alignment and the development of intimate relationship.
Quickly forward after 12 years, after a clear moving slice that summarizes some of this back story, and the film begins seriously, as BJ lost its days in the same tape that he once presented to Yji. It was broken, without a goal, and in urgent need of disturbing, any Disturb, this can return it to the right track. Thanks to his friend Cash (Jonnie “Dumbfoundaad Park), he pulled some tendons, he finds himself on his way to Seoul, as the Drams player in the” American Idol “talent show.
The party looks almost good, but this is not even the most non-“K-Pops!” , Looking at the next competition. She settled in South Korea after her rough disintegration, and it seems that she has kept her pregnancy secretly and has now gave birth to the son of BJ. He is Tai (Rashid), one of the contestants on “Wilcard”. The star -free star first tries to get a good blessing with the Frontrunners Kang (Kevin Woo) competition. But BJ loyalties quickly turn by simply discovering the identity of Tae, and therefore, paternity rewards.
Much of what happens in “K-Pops!” It looks completely unlikely, the movie is sometimes late and withdrawn with dispersed animation and unnecessary lips. But the characters rise to this occasion so that you can only buy the main rhythms of the story-a contemporary fairy story with the lighter touches, and the division of the difference sometimes between modern ROM-Com and the remote “bad news” group. (In the competition, Tae belongs to a group of immigrants, as you see.) In another place, BJ and his son begin to get to know each other, the story greatly adopts the details of Korean and black cultures with the spirit and insightful accuracy – an unavoidable feature, with a heritage.
There is a lot of music, delicious food montage and the father and intimate son to wrap, with the BJ and Tae exchange generously what they know with each other. For example, Tae helps his father in K-Pop complications, Korean culture and language. On the other hand, BJ Tae offers nuances in black culture. In one of the most scenes of the movie, BJ communicates immediately with two black women despite the fact that they are completely strangers, and this only does a common cultural language in front of Tae in the spices. Unforgettable moments like this in “K-Pops!” It feels like a cinematic equivalent of immediate compliance melodies.
Fortunately, the scenario does not give up the romance that started all of this as well, as it linked the story of Yeji and BJ in a acquired conclusion that satisfies all the desperate romantic. With some really amazing engraving (including one of Earth and Wind & Fire), and a soundtrack goalkeeper through the well-designed dance movements and great position, “K-Pops!” He spreads with the love of some unlimited fun and happiness of the world – and proudly wears his point of view on his possession.