Cumbia Music is fixed in the effort of the Spanish director born in Argentine Magic Farm, and is an official extremist satire for the German and distinguished Americans in a remote Argentine country. Foreigners Group works for a deputy -dedicated media company to exploit abnormal stories from all over the world for exciting video content. The latest goal for the Carletos Carletos, a strange singer known for wearing rabbit ears, residing in the town of Saint Cristobal. It is not known to the useless product Jeff (Alex Wolf of “genetic” fame), can be a place in this name anywhere in Latin America.
With the same dry feeling uncomfortable with the spirit of humor that she presented in her first appearance “El Planeta”-where she and her real mother played the mother and mother and daughter of the mother-Olman gave herself in the name of Elena and The Cameraperson and Tropreter. There is a quality infected with an intensity of her personality, because Elena explains that she was born in Argentina and grew up in Spain, and then her dialect. The permanently affected host (Chloe Sevini); Justin (Joe Apollonio), the gay audio man who has a crushing from the brown hostel receptionist (Guillermo Jacobovic); For a brief part of the trip, he completed Edna partner, higher production, Dave (Simon Rex in Hijab), Oddbalall Gringo crew.
Adraka that they traveled to the wrong Saint -Christopal, Jeff Bevuts to manufacture a new story related to religious worship with the help of people in the region, that is, Paula (Valeria Lewis) and her daughter Manchi (Camilla del Campo). Interactions with the local population, unaware of the real motives of strangers, lead to some of the most escaping scenes: POPA talks about her love relationship with a French movie star worth. But when the Americans, and even Elena, are alone concerned about their personal conflicts north, “Magic Farm” feels bored for a moment, even for a piece that depends on embarrassment in its abrasive comedy.
“Magic Farm” works with a refreshing visual chaos. When film photographer Carlos Rego Bilver is not behind the camera, the device is sometimes installed on a dog or horse in order to feel confused on the floor. The film was also booked through the shots that are likely to be filmed with a 360 -degree camera that distorted the image of the effect of the mind, as if it was announcing the arrival and departure of these visitors. Oleman, Bilver and Editor Arturo Sosa, depicted carefully remarkable transfers, which seem smooth on how to implement it, but also clear.
The “Magic Farm” tone, in addition to the ULMAN’s artistic intention, reminds us of the prosecutor, the cultural leaders of the Chilean director Sebastian Silva, especially films such as “Crystal Fairy” and the newer “rotten in the sun”, “where he also recounts ignorant behavior, sometimes unbearable in Latin America. Olman collected a group of relatively well -known actors, then inserted them in an environment where they are in place, creating a great inconsistency. The small Argentine town as the electronic compia that stimulates dance.
Ulyman’s character emerges as a person who has relationships with the country, who speaks the language and is familiar with the nuances. This is also clear about the writer and director’s use of music and amateur inclusion of detail, such as Sfaq’s banners, with comic messages that decorate the streets. It takes a person who has a relationship with Latin America, and he is weak as it might be, to describe ignorance, righteousness and stupidity in which some sectors of the United States population interact with countries south of the border. Serivable in their self -focused bubble, the group completely lacks the true story of toxic pesticides that have become a great health concern in Saint -Christopal. Olman’s smart writing makes this information clear to the public.
At some point, Jeff has the audacity to comment on Manchi’s pronunciation in English when the Spaniards are not present, for example. Cultural clashes are not typical or public, and Argentine characters always end in the introduction in terms of intelligence. There is fixed if the unannounced reminders that there is no deficit in the GRINGOS was born with contentment and merit, which becomes clear through the trick of the local population. For online publication, Manchi must climb a tree in order to get a signal, and it requires toilets in this city to flow using a bucket and the store owner does not miss an opportunity to capture Justin’s money.
On the screen, Elena remains some mystery, and never explicitly indicates her loyalty to either side, and neither of them belongs to it. Is it closer to the people of the country you left as a child or co -workers you spend time with them in New York? There was another version of “Magic Farm” more vibrant about its location in the equation, and its feelings about the ethics of its function. Instead, Oleman does not make its role the more awareness and allows the plight to play, even though Elina is mostly a collusion passion. On the other hand, the film itself confirms where Oman, the director, stands.