The classic agreement of the marital comedy that couples try to spoil things with additional partners always ends up sending them back, with each other. This is not exactly how things work in “You, I and Ha”, which does not shake a moral finger to flirt with their heroes with the fortune -teller. But this amazing cooperation between director Dan Levy Dakherman and the writer Selena Reneel-married in a manner-ultimately proves less than multi-wave shortcuts from negotiating the difficult difficulties in the long-term household.
It is a small movie and a humor, yet it ends with a more dramatic material than you expected. The feature (which has been playing festivals since 2023) is opened in American theaters on Valentine’s Day as the first to be released using the attendees, which is a new digital and marketing platform for self -distribution makers.
Although they seem to be somewhat living in the presence of Tony Los Angeles with a young child (Kay Desai) and the direct African Union husband (Fiorella Veskovi), it is immediately clear that the seams disintegrate the relationship between 10 years of American Mexican cups (Reneel) And the American -Indian ash (Retich Rajan). She was lying on the bed, which is attached to her laptop, while sneaking into the bathroom to Wank – something that she did not fail. Both suffer from criticism of some somewhat marveling immigrant fathers, as cups have obtained a worse deal because they actually work with her private father company (Hernan Mendoza). She is considering ASH’s mercy methods, although he managed to make a profession, hoping to launch a wide -ranging process that sells herbs planted from imported seeds. The necessary financing insurance has turned into an anxiety.
Therefore, both of them have professional concerns believe their partner is deaf, as well as another small inconvenience in building a fixed home of mutual dispute. It is a good moment for the reconciliation smuggler to the ashes of the Eco Luxe resort directed to Mexico. Evening first, there are few failures: they were washed away in the orbit of a pleasant couple (played by Roberto Aguer and Mariana Perry), who marry different people, and they are types of firmly predators alongside. The next day to escape from that short walking on the brutal side, Mags brings a chapter of yoga on the beach. It is led by Globe-Trotting Free Spirit Angela (Sydney Park), with which she immediately clicks. More than that, there is a clear attraction – Mags has a two -sex side that surprises long sleep.
This development leads to enthusiasm instead of jealousy of her husband, and the joint party night indicates that there may be three directions in their direct future. But Angela will soon leave for a new party in Thailand, the couple for the house. However, the Flirty experience brought some spark to the marital bed. Both suffer from excitement when it turned out that Angela had stopped on her way to the Far East. It is expected that it will be a night of physical bliss (and/or al -Mukhlis) … although it ends up going out to the bars, partly due to an unlimited visit from the Ashmmouthed (Graham Sibley) business partner (Graham Sibley) and his empty -free wife ( Anna Campbell).
Most of this is light entertaining, the vibrant humor tone highlighted by live photography and cinematic photography of the warm warm screen in Michael Street. But the Ringel scenario, which managed to clean the cheap laughs, determines an unexpected depth when it places a mixture of physical frustration, bad news and boiling resentment of the central pair against each other seriously.
Their climatic argument is not a joke, with the types of bitter accusations that the marriage cannot necessarily recover. These characters are not deeper (or less absorbing for themselves) in the world, but as they are written and behave, their grip has a stinging health, which makes it more satisfactory when the film can organize realistic and mystical credibility, optimistic that they fade away both.
Through her seized and fast speed shows (one of the unjustified dancers, she communicates with the bells aside), “You, I and her” have modest aspirations that are held with impressive skill. The closest thing to a big defect is this title-if only because, conferred, there was an American/Canadian TV series that focused on “You Me Her”, which lasted for several seasons just a few years ago.