Ironically, the title is not intended in “Best Mother in the World” – at least not to the extent that it is, “the worst person in the world.” But there is an axiom included in its exaggeration: most people with their mother describe her as the greatest in the world, regardless of any defects and mistakes along the way. Two young children from Gal (Sherley Cruise), an endless protagonist for the new Brazilian writer and director Anna Mailirt, believed that their sincerity reinforces them only as the scenario collects them collectively via Wringer. The film is treated with the conscience of a national homeless crisis with comfort for the hearts of hearts, which is an uneven balance in the granular social reality and the height of the masses, but the firm Cruz’s performance around it.
Muylart is still known as the 2015 “Second Mother” feature, Sandans Brezinner, which has gained a large -scale distribution of the strength of her scalp and open -minded class. Such a film, “Best Mother in the World” focuses her view of a working class woman who is struggling to be done by her children in a society and economy stacked against her, and it is difficult not to move through her privacy ordeal and the broader image drawn by the marginalized women’s rights film in contemporary Brazil . It is a less accurate and more emotional movie than its predecessor, with a direct craft and writing that sometimes fights insult, but it must be popular among the fans in the festival circuit in the aftermath of the first show in Berlinaly.
It opens to the most sharp and most layer scene, where Galle swollen, at a police station, is preparing to file a complaint against her hateful partner (Seu Jorge) after the latest violent physical quarrels. He responded to the questions of the female case specialist, revealing that he hit her regularly when she refuses to ask for sex, although she is quick to make excuses for him: “The Poor Man”, she says. “He loves me, but there are days I can’t.” The vibration of this self -blame mentality will be a struggle for “the best mother in the world”, which is explicit in photographing the behavior of both the zeal Lendro and its constant and destructive love. I warned that the complaint would be an irreversible decision. Cut into black back away from its frequency.
Instead, she decided to escape her, and her children gathered in a hurry of Rihanna (Rihanna Barbosa) and Benin (Boys Ayo) while Lindro was in the bathroom, hitting the streets of Sao Paulo with them in the payment vehicle in which she made a huge living as a garbage mosque. It drops the situation for children, and she insists that they are on a great adventure, camping on the sidewalks and practicing some urban feed, although they are not completely convinced – at least from Rihanna, who knows more threats that Lendro raises her mother.
In the MUYERERT cross, the city is harsh and gentle with despair and numbers. For each confrontation with the exploitative opponent on its journey, there is at least one ally – RJANE FARIA, which is a disabled explorer, encourages our heroine to “her life (her). If the character looks little from the tongue of a comfortable speech to the movie’s private message, it is Certainly, a more empowering Val (Luedji Luna), his cousin, who allows the family to crash in her home for a few days, but she is generously guest. Fall sighed, “It is normal, a woman,” accusing her cousin of protest a lot.
“Best Mother in the World” is the most effective in showing the extent to which such women hate women in collective cultural psychology, and how difficult it is to overcome. Gal continues to retract it to herself, especially over the third long, unstable, unstable action that rests greatly between the brutal danger and endors, towards a somewhat easy conclusion. If the film risks the exacerbation of the challenges of breaking the violent cycle, it is reasonably emphasizing the possibility of a change in the scenarios of the official cases. There is an unannounced history of the frequent struggle and disappointment, and at the same time, in the Cruz’s bodies that have been burned and burned, and a cautious audio delivery: as the film sometimes takes shortcuts, the actor provides a subtitled sub -text.