There is a certain type of real-life rescue drama-“Apollo 13” from Ron Howard is their grandfather-which makes you realize how suitable theatrical devices are, most of the films are really. “Last Breath” is a surface -to -surface film that relies on a diving accident in the saturation that occurred off the coast of Scotland in 2012. It is a movie about the resources of life and death, heroic actions, and terrorism from falling into ice black water 300 feet below the surface of the ocean.
However, when I saw it, I kept thinking that if it was a piece of Hollywood products, it will need an evil-saboteur, perhaps, or perhaps the ship’s captain who estimates companies’ profits for human life. “The last breathing” has no. The film is just 93 minutes, a built -in story that never starts from its central position. This is what is effective in that (as well, somehow, somewhat limited). The film never disturbs you what it shows you, and always sticks to the reality of hair operation.
It depends on a British documentary from 2019-also called “Last Breath”, and co-directed by Alex Parkinson, a non-fictional British film director whose appearance makes the dramatic director on the big screen here. He is doing a strong job, and allows you to feel its documentary roots in a way that determines the tension and tension attached to the film. We are overwhelmed by the early minutes in the Robo industrial details when it should be a professional diver for saturation-which means that you dive for a long time enough. Your body tissues are brought into a balance with breathing gas pressure, or accurate equal that requires a long period of persecution (days or even weeks). If all this seems complicated (he), you can put it in this way, as the film does in the opening title: saturation of diving is one of the most dangerous professions on the ground.
The “last breathing” focuses on three divers, which are part of a team that was appointed to replace a portion of the pipeline that weakens the gas along the North Sea. Film collections do not look like collections. We feel that we are watching real machines, video screens with a wide angle, and real diving bell-the craft that will take it under, which resemble a bean-shaped submarine made of wonderful pop. Inside, there are many compartments that a divers house.
In the opening scene of the film, we meet with the Limnes (Fin Cole), a Scottish block with curly hair, bid farewell to the Maraj (Bobby Rennsbury), his fiancée, which worries clearly about what Chris is doing for a livelihood. (The film never indicates that there is anything misplaced about this feeling.) Upon arrival at the basic camp, Chris meets with Denkan Alclock, a veteran diver who was at several tasks. The moment we see Woody Harrelson, with his Wildcat smile and a saint, we drown in feeling that this He isDespite all the matter, the luxurious dramatic legislation. But the descriptions are still minimal, limited to what we can see.
Denkan doubles himself as the old man of the group – but what it means is that he is putting on the pastures by the company for which he works. This, as it reveals, will be his last diving. Chris is perfectly directed towards a marej home, and this is a distinctive feature. Then there is David Yassa, which was played by Simo Liu, the star of “Shang Che and the Ten Rings”. He is the man who has a few words, was portrayed as indirect Bruussik, except that Liu is a great attractiveness that he shows us through his presence that David, who has two young daughters, is not a bad young man. He just does not like to wander with corn ball.
While Denkan is still in the bell, Chris and David, in diving equipment and separate metal helmets, get out of the opening on the ground and go down to the lower sea, where there is a look like the box they can stick to. It is assumed that the task they do is routine, but there is one unusual element: higher, the huge support ship that is linked to the diving bell in the raging and wave storm. (Denkan is an old warrior who can know how high the waves of water control in the bell pod.)
The divers are drawn away from the area where they were working, and the multi -colored “secret” chris rope fries. This rope is really a lifeline – it transmits Heliox that divers breathe. Chris has just 10 minutes of gas breathing stored in the backup box, when it drifted into water darkness.
From that moment on, the entire accident took 40 minutes, which play in actual time. Chris returns to the variety, but his gas has run out. He is now lying there, in his helmet, without oxygen. The film comes out of time (five minutes without oxygen; now 15 minutes …), where the movement moves to escape above. To determine Chris’s location, the damaged ship system must be turned off and restart (which is done by an officer in one of the suspense scenes that contain a lot of wires). The captain (Cliff Cortis) must decide, at some point, whether it is worth risking an ecological catastrophe to use chimneys to save one man (his answer: no).
I will not reveal what is happening, although it is not a spoiler to say that a story like this does not tend to get a big screen treatment if it has a tragic end. There is a scene in which we are afraid that things did not turn well, and the moment that turns to a degree is so low that it raises the audience in an unusual way. “The last breathing” offers every accident with a lot of privacy that it looks like a piece of cinematic press. However, it leaves you with a simple tingling of the stranger.