For Marvel fans, “Thunderbolts*” may be remembered as the film that got the swinging MCU concession to the right track – although this is mostly just thinking about wishing from those who were honestly accompanying with every supplement and Marvel TV series in the saturated market. They continue, like a very successful caricature studio, hoping to re -create “Avengers” movies. But those hours you are watching have disappeared forever, as well as the feeling that keeping pace with Marvel was somewhat vital to the biggest cultural conversation.
As for the rest of us, a few of these films rise to the basic viewing level-regardless of “Deadpool & Wolverine”, which mocked the seriousness of the people who take these films. It is not impossible for the masses to know (or at least sponsorship) about a handful of deep marginal characters, “Thunderbolts*” in the same preserved universe-and they were almost abandoned almost immediately-before Iron Man, Thor, Captain America and Black Widow. Director Jake Serir (“” “” “” Robot & Frank “, which tends greatly to the tone of the spirit of humor in an unlimited manner, is a reluctant comedy movie, vaccinated on a serious symbolism about facing personal shock and working through mental illness as a team.
Although this may seem trivial, the Schreier Scapby Squad is only one time (given its $ 200 million budget, not that as well). You may photograph six letters either that you forgot or could not call it if your life depends on it, but to move forward, it is expected that you will know who they are and they can be interrogated on the events that occur in “Thunderbolts*” at any time-starting with the star that appears after the title, and the explanation that fans rewards a week with corruption for everyone who picks it up.
Meanwhile, this voice you hear is not the noise engine made by the Disney Marketing Department on social media, but the bottom of the barrel that is scived while the Marvel studios are taking advantage of a handful of the District D list before restarting its most exciting and popular heroes (à no movie “Fantast Four Four” next. “Half a dirty decoration” cannot agree here – a mixture of rejection and Andes – cannot agree on what he calls themselves, but they have no illusions about one thing: they are the MCU loser.
It is difficult for them to feel otherwise when the government goalkeeper Valentina Alegra de Fontaine (Julia Louis Dyrevus) gives four of these rogue participants to eliminate each other. While it comes out in a secret facility far from civilization, Yolina Bilova (Florence Bog), John Walker (White Russell), and the ghost (Hannah John Kamin), and Masemaster (Olga Corelinko) realize that they are not alone. They joined the memory loss in the scrub, which defines itself in the name of Bob Reynolds (Louis Polman), but it was clear that he was part of some secret experience or others.
These situations and characters will undoubtedly be familiar to believers, even because they prove a confusing to those who do not have a doctorate. In Marvel Studies, or has just stopped paying out close attention when the MCU train jumped – during the third time phase that was wrapped in 2019. When “Avengers: Endgame” was buried several heroes and sent others to split into many decreasing revenues.
“Thunderbolts*” does not clearly explain who Yeena, for example (like her late sister, black widow, does not have “strong”, only skills, which include acrobatics, martial arts and uncommon sympathy from the murderer). A bearded man named Red Guardian (David Harbour) was like the father’s personality at some point, but he is now running a Limousine service and traveler around his place, wearing what looks like the Soviet version of Captain America. Marvel Honcho Kevin Feige should have major plans for Bucky Barnes (Sebastian Stan), a strong armed owner who continues to appear in these films, although there are very little.
The smell of “Thunderbolts*” such as ADR and improved attempts to direct this swinging privilege towards something in which the prevailing masses may appear in theaters. At the core of the movie, we should not name his name – the marketing material was simply referring to it as “vacuum” – but its dark power is suggested, which are allegedly “stronger than all the avengers circulating in one”, in the opening seconds) (when the shade passes over the Marvel Studios logo, which makes it in the incandescent pulp models.
It is assumed that those who follow these story arches in the form of pulp will be able to address the new movie on a character that can go in either direction, towards the ally or destruction. It is a new addition to the MCU, while all others of the low-level lift that Valentina, which is “VEEP”-like the Burgage Luis Drifos plays with a shock of white hair in the foreground, a manuscript look at her face and a dose “not taking any of this seriously.”
At all times, she was accompanied by her assistant Mail (“Jiradine”, which is considered the vicinals of comedy intention as another evidence of the tone of the tongue of this film). Despite each single scene, it appears that the task of a Motley selection of heroes will be alive. But as it tells Mel, “Can they have joined the forces against you?” Later, in the absence of “Supers” (as described by “The Incredibles”), YENNA and her gang of Misfits will need quarrels to face their own shocks and save their new friend Bob from Valentina plans.
This is as determined as one can get it without preventing a lot. At the Press Show, it seemed that Marvel Comps appreciate the first two -thirds of the movie, which works on this JOKEY Joss when Energy, full of animal, doordash and Dr. Phil. For me, “Thunderbolts*” was pulled until the void appeared. Then he began to feel like something else: this kind of superficial excitement of the modest nature in the budget (à la “flatliners” or “The Craft”) in which a tormented person can be lost because of his darkness and demons, if not for the similarly disturbed friends. Unfortunately, everything is at the end of the end of the bad picnic (the worst since “Avengers: Infinity War”), aimed at fueling this exhausting concession for a few years (so that the avengers return in 2027).
As with “Guardians of the Galaxy” movies, what succeeds here is uncomfortable tension within a team that comes together out of necessity, instead of any natural feeling of rapprochement. The Marvel strategy was smart to consolidate the movie with Yeena – not because she is a particularly convincing character, but because of those who play her. In the hands of Bug, Ylena faces a more associated identity crisis than the MARVEL hero. When her counterparts are burdened by the weight of what was determined by “Spider-Man” as a great power and great responsibility, the thunderbolt is similar to many zomers: they feel exhausted and appreciated, and they do not necessarily recognize or believe in their own powers, and they are called to greatness.
Certainly, the name of this group is a pierced line, which is raised from the Peewee football team that has never won a match (the title does not appear to the end, followed directly a different name for this Posse). However, each other’s support is vital like success in this particular task. In the absence of the averages, this will have to do so.