“Rust”, as the whole world knows, is a movie that was the headquarters of a horrific tragedy. While filming a scene on the Bonanza Creek farm in Santa in, New Mexico, Alec Baldwin, the star of the movie and one of its producers, they drained a pistol that was used as support and which contains live tours in one way or another. (After all the accusations, accusations, lawyers, trials and auditing in the international media, they were not determined from a distance how these tours found their way to the group or in the room of that rifle).
Now the “rust” has been completed and recently released (on May 2, simultaneously in theaters and on broadcasting), this terrible event unfortunately but inevitably puts “rust” on that small list, but the flower of films that have become famous because someone was violently killed in the process of making it. Is it part of the vineyard contaminated in this category that the films themselves ultimately end to justify its existence? Vic Morrow was cut by a helicopter while filming the “Twilight Zone: The Movie” (1983), and that episode was the worst movie easily. Brendan Lee has been killed by a fiery hand during the filming of “The Crow” (1994), and since his personality, the rock of killing and its revival appears to be the film like a ghost, and it appears that “The Crow” has only increased the death of Lee.
“Rust” is a better movie than any of these. It is the art of Innie Iny Western Wasim, which is located in 1882, which turns into an emotional movie across generations. However, I cannot say that the movie, in the end, is especially good. She got a naked plot, it reaches more than the wing, and has never been two hours and 19 minutes before.
Baldwin, who plays a criminal role, is also very careful, he made his best to lend to the threatened movie star. But as much as I am a fan of Baldwin as an actor, it is not commensurate smoothly with the preparation of the period. Despite its frequent use of “Ain’t”, it is launched as a historical paradox-a complicated middle-class actor with a very light and high (something that I have not thought about before), which leads to the impersonation of a kind of man who keeps many words that Kevin Costner can play in his sleep.
Baldwin is called excessively cultivated with sharp tunnels, with his thick gray beard, White S stertson, and Saddebag, rust – accurately. It appears to save his grandson, Lucas Hollester, 13 years old (Patrick Scott McKirmmut), who lives in the first part of the film on a farm in Wyoming lands with his younger brother, Jacob (Easton Malcolm). Both of their fathers died, and they are trying to do it, feeding chicken and pigs, and lift a fateful wolf. But a hostile meeting in the city’s public store reveals that Lucas was a child who would come out when stabbing. He breaks the arm of another child, and when this child appears from the father, Lucas demands that he pays his debts by going to work with him, taking Lucas things in his hands; The Father is killed. He was quickly arrested and sentenced to comment (which appears to be a severe penalty for a person of his age, even on the days of the wild West). This appears to be his fate until he enters rust, his mother’s father, the picture.
Patrick Scott Makdirmot, who plays the role of Lucas, is a good young actor with the crossing of the rock star. There are moments you look at and believe that Chalamite can be in making. But Lucas is written. The film simply accepts that this child can be violent after his years without coloring in any disturbing emotional currents. The entire movie, in fact, is doubled. This is the problem with that. (For this reason you feel the time of running.)
The rust is a bust of Lucas from prison, and the two are fleeing horseback. They are now fleeing every step. Posse is placed together to chase a bonus of $ 1,000, and two of this wild group of laws are colored figures, starting with their leader, a crowd in Wyoming called Wood Helm, which Josh Hopkins plays with the quiet border of Abu Lincoln. (He is an early forensic expert.
The problem is that “rust” is that as soon as rust and Lucas reaches the road south, heading to Mexican lands with Pose directly behind them, the whole thing becomes a slow pursuit, without much transformations, revelation or, as you know (sorry to use this old phrase), the development of the character. Rust life story is drawn. He was originally from Chicago, and he became a thief in the bank after the Civil War for reasons that he was not fully responsible for, and it turned out that he was a ruthless sighed with a heart of gold. Although we are supposed to be affected by the bonds that evolve between him and Lucas, I felt less than “Shin” from the “real grapes”.
Cinematic filming and Sonsit Halina Hatchens, incited by the work of Bianca Klein, may be the best thing in “rust”; The film has a mood sensitivity to it. But as he wrote and directed by Joel Souza, the story that the film tells is rust and Lucas stopped in one place, then another, does not settle for a long time enough to make these places mean a lot; Posse will then appear in these same settings. “RUST”, in its way Picaresque, is more powerful than “Horizon” in Costner, however it is of barren quality, reinforced by Lilie Bytheway-Hoy and James James Modernist Musical. The film finds a symbolic place for the original characters, but it never calls for the kind of spirit that I watched in “Tombstone”, a film that shows how the reactionary Western can be dangerous without being happy. Will the tragedy be made outside the screen that now determines “rust” viewers are curious to see or stop people? Either way, those who seek to it will find that the movie “Peace” without becoming an adventure to remember it.