As if the diverse serial killer in the garden was not scary enough, the terrorist offer that was appointed in Australia displays sick “dangerous animals” is his favorite weapon … sharks. In some respects, the idea is more terrifying than the creatures with the same shaving teeth, as most people can avoid exposure to death simply by getting rid of any body of the water as it was known that sharks hunted. Imagine now your belief in your work, just to go out, tie it and move it to the sea, where some of the sadists hang on the water with fins, while everything is recorded on the VHS for the Personal Linger Film Library.
We have scriptwriter Nick Lepard to thank him for these live new nightmares, which was made by such a condemnation by the director of “Devil’s Candy” Sean Bern that the effective and very effective excitement rarely allows a quiet moment to ask about the really encouragement of his hypothesis. Instead of concealing the psychological, “dangerous animals” presents the leader of the Bruce Taker (Jay Courtney) surface tour in the foreground, and a barrel appears in the city in an ancient pickup truck like the aggressive predator he is. It is not that the American spouses are waiting next to his boat, they have a way to sense the threat it represents.
It is not interested in the wonderful boats that booked the journey, Tucker muscle crawls briefly with half of an American couple looking for excitement looking to swim with sharks (from inside the underwater -protective border, of course). Remove the bars, and half of this young lady is all that will be left to float in the wake of the ship. Tucker gets an almost sexual kick from feeding the direct taste of these prehistoric meat animals, which come in different shapes and sizes, including very large white, can be quoted from the poster of the most successful shark in all ages.
The classic Steven Spielberg movie has gave birth to dozens of imitators, but “dangerous animals” is a different thing – more than “saw” from “jaws” – largely defines the sadistic line in their human monster. It is clear that the title refers to men like Taker as much as the sharks it determines. But it may also describe the potential goals of Tucker after that: a thick -skinned lonely named Zephyr (which is played by the star of “Yellowstone” Hassie Harrison), who resembles a young Jennifer Lawrence and packs a lot of the same energy that is associated with the star of “Made”.
Zifer spent her childhood mixing between incubating homes, and since then she swore to society in favor of her real passion: searching for the best waves of the world. This obsession brought it to Australia, although Zephyr has a strict policy not to engage with the local population. At this stage of the film, the depth of the corruption of Taker has not yet been revealed, although we saw enough to share Zephyr’s caution towards strangers – the position that the Josh Heuson fell immediately as a challenge after hunting it in the town.
During a few scenes, Zephyr and Moses spends getting to know each other, “dangerous animals” assumes a completely different tone – like something that we may have been entrenched on CW: the actions are very attractive, and they lived, but these scenes will almost work later on this (MOSES COOKAKEs Abangakes after you meet them. After all, then the movie, then the movie, the movie Smart enough to make us care about people who intimidate Taker.
Years ago, when Courtney first appeared in films such as “Jack Reacher” and “Die Hard with a Enseense”, the strong young star suggested a kind of a wall security guard who crosses his arms outside a nightclub in New York. He only got Brawnier since then, and the Courtney version that was seen here has swallowed up such a guard in one bite. This means that you do not overcome a person like this through brute force; You have to outperform it. But Zephyr did not give a lot to work with him, and she shouted to a steel bed in a closed cabin.
Not for a second one does not reduce the text of Lepard Zephyr to just the girl in an ordeal. Instead, he realizes that our participation will be greater if Moses has passed with every intention to save her, just to hit, wander and turn to another of the Taker games. Although everything is described so far it should look like making a Grungy exploitation movie, “dangerous animals” are elegant and surprising in their appearance. Bern repeatedly develops the viewer in a way that indicates that all this joy occurs at a short distance from society (party boats and holiday resorts are just an arms arrival), but instead of providing hope, their music works to flood the screaming.
Smuggons for the production designer, which made the Tucker ship feel like a floating sticky. On its thick walls, Zephyr finds the names of former victims sculpted in the paint. Elsewhere, Tucker maintains a wardrobe with about 40 videos, each with a name and hair lock. In “dangerous animals”, we do not have to see this devil kills dozens of girls to obtain the image – it is terrifying to allow our imagination to extrapolate from limited evidence. Be reassuring, a person is eaten before this movie, and it will not be the shark.