The character of “Our Champion, Persons” is not an idea of the hero. But it is definitely a creature of our time. BalThazar, who played in a lover and a scowl jao by Jaeden Martell, is a rich child in New York with a life coach and a divorced mother (Jennifer A) and is very busy giving political parties to pay a lot of attention. They live in an apartment in Manhattan decorated with an exorbitant art, where he behaves as the Azar, known as the Balthi, of boredom by recording and publishing videos for himself crying in the most tormented and self. He can cry about anything, in sympathy with any victim. (The film mostly focuses on the school’s shooting victims.) But as we notice during the recording process after the seizure, crying is completely fake. Or, rather, it is real (real sighs, real mucus dripping his nose), but it comes from a place that has been completely prepared. he representation How much does he care.
Children at school have always cried due to the tragic loss of his student colleague, and girls will cry in the audience as part of the rituals of Beatlemania. But there was never a culture of youth cry like those we have today, as children regularly publish videos of themselves with sighs. It can be almost any reason; Last week, videos of crying were published after the news erupted that Taylor Swift had bought its main tapes. Crying for feeling, emotions flow like a non-nourishing river, but it has become the new show-an announcement of how much you feel, and perhaps a form of nutrition. “Our hero, with the Azar” picks how crying, for people of a specific generation, is now part of an Internet world where everything is performance. I behave very sympathetic, so I am.
“Our Champion, Persepers” is the first movie directed by Oscar Poiceon, who was a close partner Lapini and Josh Safe (was one of the producers of “precious stones” and “the right time”), and it is made from the same card that she was calling. It is a cut, bold, sometimes amazing movie. However, what makes him succeed is that Boyson, who was measuring the scenario with Ricky Camilleri, is really something: the way the new youth culture of the middle class has turned into a reality of reality-or, or, around it, turned into reality to its own reality.
She used to be able to cry on the camera to be one of the standards of the actor’s skill, but Jaeden Martell, known as “IT” and “knives”, is more than just a cry. As Baltle, he cries in a certain way – raw and raw, expressing the inner wound that he cannot express, but he knows that he shares countless others. They are linked, like worship, with very deep pain to speak on her behalf. The fact that Balthazar can call all this as if it were simultaneously his acting crawl crawl and a stranger. The movie may almost ask: If this level of expression is not real, what is it?
At his private high school, a Balney Class Consulting Company leads a training exercise designed to help students protect themselves from school shooter. This update of the weapons culture of the “Duck-and-Cover” weapons, because it looks almost designed to calm fear. (At one point, children lie on the ground with fake bloody bullet holes.) But it gives Baltle the opportunity to communicate with the girl he is suffering from, Eleanor (Pippa Knowles), which was screaming enough to summon training people for their ignorant methods. But when you go to Baltle for him Outside as a “ridiculous psychology”. Eleanor Pipa Nols plays a playful vibration, a caustic seizures on the screen. This actor has radiance – a spark of angry home mind – can take it away.
Balthazar, who has never fulfilled an opportunity he could not exploit, publishes a video crying in sympathy with victims of shooting at Arkansas School. He gets many comments – one of them comes from a person who has a “Deathdealer_16” handle, which claims He is School shooter. Let’s leave aside the fact that the archers in schools do not survive or evade pickering. He starts to exchange messages with this fake and convinces himself that he is doing this to stop another massacre. But is this really what he does? Or is this teenage expert in fake sympathy believe, at a level, that he found his lorder friend?
The film revolves around how he traveled to Fort Worth, Texas, to search for his missing colleague, who turned out to be a tormented man in his early twenties named Suleiman (Asa Boutefield) who lives with his grandmother. “Our Champion, the Meshar”, turns into the movie “The Edgelord and the Incel”. What makes him succeed is that it is good in a great way like Jaeden Martell, as ASA Butterfield behaves with a social position of raw sadness that seems to open the dark heart of what pushes many only young people. Suleiman is a “psychological” like Baltle (separated by the young harassment with which he works in a road side store), however, Butterfield, the former star of Scorsese “Hugo”, makes him sympathetic by leaving the character tragedy shining.
Solomon’s outcomes (Chris Power) Hox’s MACTO and Scam Solomon health supplements to become one of his sellers. At the same time, Suleiman is attracted to the lugli in the temptations of weapons culture, and then the film gets a little top through its topic. However, Boyson shoots everything in a style of the realism of Threadbare that attracts you to the central relationship. Is Suleiman really the shooter at school? No, but this is what he dreams of, even when he dreamed of the groaning of the victims of one of these massacres. They are two aspects of the same currency – Paraguins for virtual youth culture.